SXSW 2011: The Parties – Perez Hilton, Village Voice, Fader, Spin & Vice Bring the Noise

 

 

   We get down there around 4pm and get checking in and take time to say hello to some of the staff that are friends of mine before heading toward the stage. The Spin Magazine party used to be the premier party during SXSW before turning into a day thing at Stubb’s a few years ago, and its still cool and always one to look forward to. One of the things you survive on during this festival is the free boze/soda/food – and its almost always not what your first choice would be, as anything free usually isn’t. It’s most likely something you have never tried/seen before because the sponsors use the festival as a test market, so you will find yourself drinking chocolate flavored water and chewing fish flavored gum.
Today, we each grabbed a tall can of this lemonade drink – that’s kinda like Sparks – and though I know I’m a serious lightweight when it comes to drinking and it was early in the day, I swear we both were shitfaced after three sips of this poison.
With my new drunk induced inflated ego, I seriously almost punched this total asshole that was being insufferable as the Killls were starting their set.

They were having serious sound issues – so much so that I thought they were actually doing a soundcheck onstage, because they were stopping and starting literally dozens of times – it wasn’t until singer Alison Moyer – finally relented and quietly made a few apologies.
I can’t make my mind up about her – I like the Kills and I’m all about the Dead Weather, her voice and image and super-cool swagger is totally hot. However sometimes I see pictures of her and I’m kinda like – meh – and sometimes she seems a little too cool. But hey she probably is – they finally got it together and turned in a decent set.As always they had DJ’s playing between sets and between these two acts, Skrillex (didn’t I tell you this guy was freaking everywhere) doing a set –  His extremely punchable hipster face is enough to make me want to take him out, but holding him responsible for the rise of dubstep is truly worthy of ball-kicking trespass –

Up next was TV on the Radio who has just attacked this festival – usually a band with their visibility comes here to do one high-profile show and doesn’t really have to slog through multiple-show days like the smaller bands unless they just want to, but TVOTR I think had like 8 gigs this week. Like I said earlier, Jah from The Death Set is playing drums for them now and he couldn’t have been more excited.
(Check out the awesome Clutch sticker hanging there in the back)

 

This show was really good and they are an incredible live band – sadly however this was one of the last performances with bassist Gerard Smith as he died just a few weeks later of lung cancer.

 The Fader Fort Party –

After TV on the Radio finished at Stubb’s we ran across the freeway over to the Fader Fort (running from show to show is a time honored tradition at SXSW) As a testament of how busy I’ve been this week, this was my first (and only) sojourn over to the Fort this year. This place is usually a destination for me and last year I practically lived there all week. Where else in the world let alone at SXSW can you go to a place for free, drink free booze and soda all day, get fed, free clothes, free internet, free magazines and get entertained by the best at that time? – The place is a goddamn utopia and my greatest dream of a totalitarian state come to life, and this year didn’t disappoint either.
Remember my earlier post about open RSVPs? – The Fader Fort is the most popular of them , (see above description as to why) and if you just do the open RSVP you have little or no chance of getting in – those public wristbands are worthless, you gotta go the extra mile if you wanna get in – thankfully I had an advantage – and we were ushered right in – I’m not talking about some elitist, velvet rope Studio 54 bullshit, I’m just giving a tip, that its best to contact someone involved ahead of time so that you don’t waste your time standing in line when you could be doing other rad shit.

As we are heading backstage, we are finally seeing Odd Future and what all the hype is about as they are causing a literal riot with them as the aggressors. Various members would either flat out threaten photographers in the photo pit and others would challenge the entire crowd to a water bottle fight. Debris, empty bottles, clothing and other general garbage started flying during every song –

Near the end of their set, the group prompted the entire audience to chant “Fuck tha police!” – Together, they are truly aggressive to the point of intimidation. Though I appreciate how youthful and overflowing with energy they are, I have to admit, instead of just having some good fun, it really seemed like they are assholes, going out of their way to be bigger assholes.

Speaking of overflowing energy, (but used for something COMPLETELY different) it was after 7pm and somehow I had gone all day without seeing Matt & Kim (something I had yet to do all week) so here they come and the crowd greeted them ecstatically.

Toward the end of their set, making her second cameo of the festival,  they were briefly joined by Erykah Badu who I saw strolling around backstage.

…and not to be outdone by the previous antics of Odd Future, what is normally a staple of their live show, this time Kim’s bootie dance atop the crowd seemed to have an added interference.

The Vice Party –

The Vice Party has replaced what the Spin Magazine party used to be: a last night of the festival blowout in some hidden/non-obvious location that you wouldn’t think/know about till the night of, where doors don’t even open till midnight and it goes all night, way past 2am and this one was listed as going till 6am.
This time it was at the Starr Building, some non-descript place you would imagine holding law firms not some crazy party and the bands that were set to play were Keith Morris’ (Black Flag, Circle Jerks) new band Off! and one last detonation from Odd Future who has literally stunned this festival. You couldn’t go anywhere without people talking about them and having some story involving carnage in their wake. I personally have already seen two partial performances this week and I think tonight was something like their 12th show of the week, (and third of the day).

 

We get there and of course the entry to get in looks like Tienanmen Square – just complete and utter chaos. You would think people’s infant children were trapped inside the way they were rabid to get in. The hype of Odd Future plus the exclusivity and free booze in an environment that craves such things? It was 1984 and this was the only place that had Cabbage Patch Dolls.
I’ve been around this stuff for over 10 years and it even frightened me a bit, and poor Erin has never seen shit like this before, but suddenly a knight in shining armor arrived.
Eric and Kim Castillo, a couple from Houston that are good friends of mine and who I stay with when I have the misfortune of being in Houston, arrive.
Eric is a professional DJ, who goes by Ceeplus Badknives and has been on the scene for a long time, and we have done gigs together in Houston and during SXSW for the last several years. His wife Kim is the salt of the earth and one of my favorite peoples.
Though we all had invites they were at capacity but Eric had the juice and got us in no problem and ironically said that they had just been talking about me and was hoping to see me. Boy were we glad to see them.

We get in and the four of us grab some of the free booze and this place just looks dangerous – like total lawlessness.
Perfect for a punk legend to fuck shit up – and that’s exactly what Off! proceeded to do:

 

They were crazy, unreal loud – and it had that feel that it should – volatile punk band playing at 2 in the morning in some abandoned building. Totally brown –
Outside I could only imagine what people were dealing with to get in to catch the Odd Future 3am slot – the hype was off the charts – this was their last show of the festival and given the late hour probably the last show of the festival, its 3am and its gotta top all of the other ones, so this was the one to catch according to the hype. Matt was texting me from outside so I told him to go around back and I had security let him in.

Going from Hardcore Punk to Hardcore Rap seamlessly is what makes an event like this so memorable and fun to attend. It’s 3am and here comes Odd Future:

 

Their show was as violent as the punk of Off! but I have to say I was more impressed with the intensity as well as the crowd as compared to any real musical gratification. In fact I would have to say, it was so super sloppy, it never seemed like the show ever actually started. It just seemed like Tyler the Creator and company, came out, got the crowd worked up, complained/cursed alot, and seemed to go out of their way to be destructive assholes.

 

Now I’m not exactly old, just a bit older, but I will be the first to admit, that this probably has something to do with why I just simply can’t relate to these guys. In a generation of constant self-promotion and being ruthlessly crass breeds huge rewards by your peers, that’s something I will never identify with. But as a life-long student of Hip-Hop, it really wasn’t that good – I was super excited about seeming them, and I loved their story. Totally all about their DIY punk ambition and did all of it themselves. Some young guys looking like the next Wu-Tang Clan, but I just didn’t get it. They def got some talent, but instead of showcasing that, or even having some knucklehead fun a la Beastie Boys cira License to Ill era, instead that appear as actual dickheads.

I didn’t sweat it though, the spectacle still provided weird entertainment on what had to be one of the weirdest nights of my life.

After they played, the whole place turned into a dance party, with these two DJs playing all this great 60s garage soul music that was fantastic and it 4am in the morning.

 

We shook our asses in celebration of a long week, and a day that felt just as long, and I just couldn’t leave – I just had to keep going somehow. Finally after the clock struck 5am, people really started to clear out and we danced the last song, to finally put this year’s SXSW to rest.