Foo Fighters surprise Sonic Highway finale’ (Dec/2014)

An insane one-two punch you only find in NYC with a club show from a stadium filling band to one of the biggest parties in history.
Here is December 2015 in New York part IV –

Sonic Highways Live Finale w/ The Foo Fighters – December 5th – Irving Plaza – New York City

The Foo Fighters put out a new album and an HBO series about it, both called Sonic Highways. The premise of the show was Dave Grohl & co. traveling to eight different US cities and discussing those cites’ musical histories while also showing clips of them recording parts of their album in each. The documentary wrapped up with the NYC episode, and like they have done in other cities, they planned to celebrate with an intimate show.

A few disclaimers: I was a huge fan of Nirvana as a kid and loved that first Foo Fighters records that Dave did by himself. Though I’ve kept up with Grohl & all of his fun projects over the years like Probot, playing with Queens of the Stone Age and Them Crooked Vultures, I can’t say that I’ve paid much attention to his day job since 1995 up until 2011 when they put out the only thing that to me has sounded similar since with Wasting Light & a great accompanying film project about the history of the band called Back and Forth.
Next came an even more ambitious film project & accompanying soundtrack called Sound City detailing the history of the famed studio where Nirvana’s landmark Nevermind was recorded. I saw the premiers of both films in their corresponding years at SXSW and both were followed later that night with  “surprise intimate shows” at Stubb’s that I attended as well.
Because of that access, them doing annual smaller gigs,that Grohl doesn’t have that stadium rock vibe & I really just haven’t been paying attention, it doesn’t (nor will it ever) occur to me that the Foo Fighters are as huge as they actually are. That’s why when they announced this club gig I didn’t really think anything about it other than I thought it was cool that they were trying to get back to something real. A club show that only costs $20 bucks that you had to buy in cash on the day of.
Hell they even made a flyer –

And in spite of this being in NYC and not Austin again I was still floored when I walked to the venue the day of the show to see the BIGGEST FUCKING SHITSHOW IN HISTORY out front of a line that seemed to reach Staten Island and people in tents that had been out here all night in the freezing cold. Sorry but in spite of my cursory interest – for the fucking Foo FIghters?!?!?!

…and it was also raining – luckily I made a few calls and landed on the guest (or so I thought…more on this in a minute) as it could have been Prince in there and their was still no way I was standing in this line that was as hostile as it was long. That had some crazy buy system setup that completely fell apart and people were on the verge of rioting when I passed by. Fuck that noise, I went and played pinball up the street and got out of the rain until showtime.
When I returned, things weren’t much better – the cops were moderating the line like a hostage situation had broken out – ridiculous.
While in line I had heard that the Foo Fighters had SOLD OUT MetLife Stadium across the river where I saw freaking Wrestlemania last year! Again, this would have never occurred to me.
When I finally get inside the venue, the guest list area was two tables setup opposite of the new usual ticket windows. I give the nice girl my ID but she can’t seem to find my ticket and asks of my affiliation/how I secured my ticket. When I tell her this, this wired up Hispanic kid overhears it (whom is also in the can’t find my ticket category) and suddenly he’s on me like white on rice groupie style. He’s really loud and freaking out and I’m now concerned that the nice girl is no longer going to help me because of my now erroneous link to this young, but dressed like a 90s Hip-Hop backpack kid who seems seconds away from asking to top me off.
At first I’m thinking the recognition could help my cause, but suddenly I’m starting to get it that he’s working me and the girl in a “See? I know people, now let me in” way with a two-fer of “Dude, please help me get in…please” to me. I try to be polite while shutting it down but it’s not happening and now thanks to this charachter from the Boondocks come to life I’m equally out in the cold.
I think fast on my feet and so when I saw they were bringing in the patrons two at a time assigning a pair to each of the two tickets windows and when one of the windows was empty I ran over there as fast as I could. Though you had to have a special yellow wristband given out at 8am that morning just to have the PRIVLEDGE to but a ticket for $20, with the cold everyone’s wrist were covered in jackets and the girl behind the window never asked to see it and gladly took my credit card. Just as my inner Mcconaughy was saying “Alright, Alright, Alright” that fucking groupie dude saw what I was up to and came running over there and thanks to security already being on his tip came over, made the clerk cancel my transaction and threw us both out!
I went storming off into the night, not necessarily mad that I was missing the show but more embarassed as to how – when suddenly Boondock Groupie comes chasing after me to get my contact information! I STILL tried to be cool but when I only gave him my Twitter handle, he started aggressively haggling for more lobbying for my cell number.
I’m a total nobody who sometimes works with celebrities, can you imagine how this guy would act towards one of those celebrities if this is how he was towards me?
In that second I started to sympathize a little with what they go through. I finally told this guy to fuck off and leave me alone.
But then I turned the corner and said to myself “Yeah, fuck that guy and fuck this, I’m seeing this show” so I went back (for pride reasons) stood in line and when I got back up to the guest list area I insisted they do something about it until they did and suddenly I was inside ready for the show.

The schedule was they were gonna premier the final episode (NYC) and then the band would follow.

Sonic Highways is meant to reflect Grohl’s own fandom and musical upbringing–but it also positions itself as a type of definitive oral history of each city’s music scene.
That kind of self-awareness from Grohl–knowing that he’s reached a level of success far beyond the people who helped feed his roots deepen the show along with Grohl remembering where he came from and what he owes.
As promised after the screening ended, here came Grohl and the Foo Fighters – 

New York brings out the romantic in Dave Grohl,  “I really love you. If you weren’t married, we’d move to Amsterdam and live happily ever after,” he said “I’m sorry you have to stand there while I sing a love song to your face.”
As the band kicked into “Big Me,” the object of Grohl’s affection – the greying, grinning Steve Rosenthal, owner of the seminal Magic Shop studio in SoHo – whipped off his T-shirt as Grohl blanched comically. Rosenthal’s bittersweet musings on the record industry were a central focus of the just witnessed episode.
What came next was a raucous, unflagging set that lasted nearly three hours.
Familiar covers of from Tom Petty & the Rolling Stones’  with drummer Taylor Hawkins doing the vocals, Grohl clambered atop the band’s stacks and swung over the balcony, where he paced the entire upper floor and soloed among the astonished VIP denizens before racing back to the stage in time for the song’s falsetto bridge.

As their marathon set wound down, Grohl smirked at the subtly thinned-out audience: Even 20 years into the Foos’ career, he can still outlast some younger fans. “This sure is a lot of fun,” he said, kicking into the euphoric closing chimes of “Everlong.” “I’m sure glad I don’t work at the furniture warehouse anymore.”

Setlist – 

Outside
The Pretender
Learn to Fly
White Limo
Arlandria
Rope
My Hero
Hey, Johnny Park!
Monkey Wrench
Congregation
Walk
Cold Day in the Sun
I’ll Stick Around
In the Clear
Big Me
Something From Nothing
Times Like These
These Days
Miss You (The Rolling Stones cover)
Breakdown (Tom Petty and the Heartbreakers cover)
Under Pressure (Queen & David Bowie cover)
All My Life
This Is a Call
I Am a River
Best of You
Everlong

I too was exhausted, but the crazy thing about NYC is that even at this late hour, I still had another major event to attend. Off to Brooklyn!

Jena Ardell
Sam Clarke
Andrew White
Sachyn Mitael

The 3rd Annual Revolver Magazine Golden God Awards (Apr/2011)

.The 3rd Annual Revolver Magazine Golden God Awards –  Club Nokia Theater – Los Angeles – April 20th

Arrival –

So after some strategic parking we make our way to the sprawling downtown complex that was waaay more over the top than I had anticipated. I grew up in a small town in Texas, so for a city to have multiple arenas is one thing, but to have several on the same block was intense. I’ve been coming to Los Angeles for years but have never made it down to the Staples Center complex. I tried to attend MJ’s funeral a couple of years back so we were seeing all of this for the first time. The show was held over at the Club Nokia Theater and we walk over there and grab our tickets at Will Call. I turn around after not seeing it the first time, to see a full on Red Carpet (or in keeping with the Metal motif, black carpet in this instance) event going on behind us.

Again, I totally underestimated this event, as we see limo after limo pull up, crowds screaming, a full media blitz (the event will air on VH1) the works. In a sea of nothing but old dudes in black I see only three females, but if I could pick any three, these would be my choices: I see my girl Taylor Momsen with Jenna Haze (Holy Shit!) and then turn to see Sasha Grey (Holy Fucking Shit!) who is actually interviewing William Shatner – we are off to a fine start:

 

 

The Show – It starts with another entry into:

Interactions with Dave Grohl in 2011 #3

Dave Grohl starts the night coming out and hitting play on a jukebox, which for some reason played Justin Bieber. And then walked off, and that was his entire contribution to the show. Was hoping he was gonna stick around and rock.

Then the perfect host for the show,  Chris Jericho proceeds to come out and crush the boombox with a baseball bat. Primarily known as a WWE wrestler (and a recent ill-advised stint on Dancing with the StarsJericho is known as a devoted fan of all things Metal and he’s great on the mic.

So after he bashes the boombox, does a brief (but awesome) monologue introducing the show before his cover band, Fozzy opens the show with a metal medley (which will air on Vh1)

Setlist:

 Children of the Grave/Black Sabbath
Stand Up and Shout/Dio
Wrathchild/Iron Maiden
No More Tears/Ozzy
For Whom the Bell Tolls/Metallica
Freewheel Burning/Judas Priest
Primal Concrete Sledge/Pantera
God Pounds His Nails/Fozzy
 

After another monologue, Jericho introduced Robb Flynn and Wayne Static to give away the Epiphone Best Guitarist Award:

WINNERS: Synyster Gates and Zacky Vengeance (Avenged Sevenfold)

Nominees
John 5 (Rob Zombie)
– Dan Donegan (Disturbed)
Gus G (Ozzy Osbourne, Firewind)
– Janick Gers, Dave Murray, and Adrian Smith (Iron Maiden)
– Alexi Laiho (Children of Bodom)

To show what a freaking square I am, and how foreign the Hot Topic generation is to me, I had never even heard of Avenged Sevenfold, and they looked like Emo douchebags so I didn’t really care, but what was intriguing was the groundswell of support. Every freaking kid here was wearing an A7X shirt, and when the nominees list was named everyone gave each nominee a courtesy clap, but when A7X was announced, the place went batshit.

Next up, David Coverdale comes out to award the Comeback of the Year: – It was awesome to hear that guy say the words Faith No More, who of course I was rooting for, if for nothing to see them make an appearance which they surely wouldn’t have even if they had won and I’m quite sure they didn’t know/care they were even nominated.

– Winners: Murderdolls

Nominees
Accept
– Faith No More
A Perfect Circle
Soundgarden
System of a Down

Right after accepting their award, the band introduced the Alice Cooper Group. I have always wanted to see Alice Cooper live, and have never had the chance to. Now, much like KISS, the music of Alice Cooper will prob not be historically revered, but his live show is something of legend, not to mention, I’ve always thought he was real sharp and I have alot of respect for him so I was pleased to be finally seeing him live, even if it was in such a sterile environment. Obvious fan Rob Zombie joined him for the inevitable School’s Out:

Setlist:

Under My Wheels
Eighteen
Is It My Body
Schools Out (with Rob Zombie)

Rob Zombie presented Alice Cooper with The Golden God Award.

Next up, Mike Portnoy and Charlie Benante came out to present the Best Live Band award: – Though Avenged Sevenfold was a nominee, and again the fans shook the rafters when their name was mentioned, I think the only thing that prevented them from revolting at their loss was that presenter Mike Portnoy (Dream Theater) filled in on drums on their recent tour.

– Winners: Rammstein

Nominees
– Avenged Sevenfold
Gwar
– Iron Maiden
Megadeth
Sevendust

This was followed by Jamey Jasta coming out to introduce Asking Alexandria who were the epitome of everything I hate right now with popular rock music. This was total mall shit – They were all really young dudes, so I give it up to them for doing their thing, that I’m sure they will grow out of eventually but for now, shitty name, shitty sound, and just all around generic and forgettable.
Early on in the set, the singer actually dropped his mic and if rolled under the drum riser. Dude dodged for it as fast as he could, it was hilarious. They did bring out Sebastian Bach for a rendition of Youth Gone Wild however suffering another embarrassing moment, was they kept missing the opening cue from Bach. When he introduces the song by going “We are the Youth (drum break) – Gone (another drum break) – Wild!! – (song starts) – the drummer wouldn’t respond with the drum break so he could continue the intro and Bach kept looking over at him, and it took like 4 tries to get it right. Luckily for them the show was not airing live.

Setlist: 

The Next Episode
Morte et Dabo
Youth Gone Wild (Skid Row cover w/ Sebastian Bach)

This was followed by a tribute to the fallen heroes of metal, which in turn brought out Wendy Dio and Geezer Butler. This was to be expected, but what followed was kinda confusing/unnecessary. Corey Taylor (Slipknotjust seems like this super likable dude that everyone shoots pool with and is just everywhere. So I guess to have him involved they found him something to do and that was to give The Ronnie James Dio Lifetime Achievement Award to Motley Crue. So Wendy Dio and Geezer Butler came out to introduce someone else to give the award that bears her late husband’s name on it, to them?? – Why couldn’t/wouldn’t they have given it to the Crue themselves? – Taylor’s speech was really great and clearly inspired, I just thought it was unnecessary.

Another example of me underestimating this event was knowing that most of the Crue hate each other, I was thinking like only a single member would be here to accept and which one? Probably Vince since he’s such a famewhore, but as Corey Taylor was doing his speech, I could see all four members lining up behind us, getting ready to take the stage!

Mötley Crüe received the first Ronnie James Dio Lifetime Achievement Award – whose final public appearance was at last year’s ceremony. “It really means a lot to me because Ronnie was one of the biggest influences on my life since I was a kid,” said Crüe singer Vince Neil. “Heaven and Hell was with us last summer in Europe, and every single night I watched, going, ‘Where does that voice come from?'”

Vince Neil always seems to be isolated from the other members of Motley. Nikki, Tommy and Mick showed up together, all dressed in metal black, and looked like had just come from a speakeasy around the corner, where as Vince showed up alone and in a tux, looking a little out of place even for him as someone who is notorious for having zero self-awareness. Erin and I were making bets that the other three guys were pulling a practical joke and told him: “Dude, its an awards show, you gotta wear a tux, we are all wearing ours”. But ultimately we decided that he came to that decision all on his own.

Next up, Max Cavalera introduced Volbeat. We had missed them when we went to Austin to hook up with Clutch and Motorhead on my birthday, as they were the first band. I thought they were pretty cool, not really my thing, but I couldn’t help but stand up and notice when Scott Ian joined them for the last song, an odd cover of Dusty Springfield’s I Only Wanna Be With You

Setlist:

Fallen
Sad Man’s Tongue
I Only Wanna Be With You (Dusty Springfield cover w/ Scott Ian of Anthrax)

Then in another awesome moment Scott Ian was then joined by comedian Brian Posehn, who is known for his love of Metal to present the aforementioned Shatner with the Honorary Headbanger award. Ian had a funny line about the shortage of Canadian Metalheads, when Jericho (who is Canadian) does a lilting refrain, for which Ian simply retorts ” Dancing with the Stars…” 

This was followed by Brendon Small and Dino Cazares introducing Devildriver‘s set. They were awesome, and after doing one original launched into a four-song Black Flag set:

Setlist:

Dead To Rights

Black Flag set: – 

 Rise Above
Nervous Breakdown (with Mike Valley)
Thirsty & Miserable (with Jamey Jasta) 
Six Pack (with Max Cavalera)

Next up, Duff McKagan then presented Best New Band: Of course I was rooting for Taylor Momsen and her band The Pretty Reckless who have just blown me away this year-

but sadly they lost to some total cheesy Nu Metal band they won’t be around next year.

-Winner: Black Veil Brides

Nominees
– Asking Alexandria
The Damned Things
– The Pretty Reckless
Times of Grace
We Are the Fallen

Right after, Mckagan stayed onstage as Dave Navarro came out and introduced Duff McKagan’s band Loaded: who played a quick but cool three song set, ending with a great version of Judas Priests’ Electric Eye where they were joined by Corey Taylor & Steve Jones.

Setlist: 

Executioner’s Song
Dead Skin
Electric Eye (Judas Priest cover w/ Corey Taylor & Steve Jones (Sex Pistols)

Next up, Vinnie Paul presented the Best Drummer Award: And again when Portnoy’s name was listed as the nominee and then eventually the winner, the place was going ape shit – it was almost like they were afraid to not give it to him by their reaction. It was like being at an Avenged Sevenfold concert, with little award interruptions thrown in:

WINNER: Mike Portnoy

– Tommy Clufetos (Ozzy Osbourne)
– Abe Cunningham (Deftones)
– Joey Jordison (Rob Zombie)
– Roy Mayorga (Stone Sour)
– Nicko McBrain (Iron Maiden)

I could see Sebastian Bach & Taylor Momsen lining up behind me to go on as the next presenters to give the award for Best Vocalist:
Didn’t wanna be creepy fanboy, but she was standing literally right next to me, so we chatted briefly while she was waiting for her cue.
Dude, she literally glowed, and looked ridiculously hot – like wildest rock and roll fanboy dreams are made of kinda hot –

They had a fun little rapport making the presentation for Best Male Vocalist –

Of course a member of A7X was nominated, and the singer no less, but was he really gonna win over that list? – Look at the competition – I was then convinced they were afraid to not give him the award for fear of 3k mall kids revolting:

-Winner: M. Shadows (Avenged Sevenfold)

Nominees
Glenn Danzig (Danzig)
– Bruce Dickinson (Iron Maiden)
– Chino Moreno (Deftones)
– Ozzy Osbourne
– Corey Taylor (Stone Sour)

So now this made me think I was correct in not taking this event very seriously – I mean cmon on, it was like they were giving the awards to whoever showed up. I also learned that A7X are from here, so they also had that hometown support and the rest of the night just seemed like the Avenged Sevenfold show.

Jerry Cantrell and Mike Inez came out to award the Album of the Year: Guess who won this? If you guessed A7X, you would be correct.

– WINNER: Avenged Sevenfold, Nightmare

Nominees
– Black Label Society, Order of the Black
– Deftones, Diamond Eyes
– Ozzy Osbourne, Scream
– Stone Sour, Audio Secrecy
– Volbeat, Beyond Hell/Above Heaven

It should also be noted that every member of Iron Maiden, including all three guitarists were nominated for awards and didn’t take home any.
Then, in an another pointless appearance, but yet still awesome and cool, was right after A7X won the big award and went backstage to gear up for their show ending set, suddenly I see Lars Ulrich and Robert Trujillo (Metallica) –
It seemed their only purpose was to announce that A7X was about to come out and play a set – but I was still impressed that this event got these two heavyweights out here. Not to mention, I was thinking of my friend Ryan, who thinks of Metallica as more of a religion than a band, and how excited he would be for this moment.
Lars says: “In 2005, I heard a song on the radio called Bat Country that blew me away and I found out later that the band was Avenged Sevenfold” –
Then A7X took the stage and the place just fucking exploded –
They looked kinda douchy and the singer was still wearing Aviator shades indoors and kinda moved like Axl Rose if Axl was the manager of a Hot Topic at a mall somewhere in southern California. But I was totally getting off on the crowd and how super into it they were. I was really enjoying these two young dudes next to us, both about 15, and both clad in A7X t-shirts, just going for it. You could tell also that this band was their gateway to something, and being someone that has spent plenty of time making sure he is fully aware of the bands that the girls wanna fuck, I could relate and envied their excitement.
Clearly the Guns N Roses influence wasn’t too far off as on the third song here comes Duff Mckgan out to do It’s So Easy with them.
I thought this was a cool choice of song –
I finally leaned over to one of them and said, “Who ARE these guys?” – and he gave me a brief summary without missing a beat of rocking. Then one of my hometown heroes, Vinnie Paul (Pantera) came out to play drums on a track. This was winning me over, and I thought it was cool that the singer acknowledged how tired playing Walk has become, so he insisted on changing it up and they played Mouth For War and the crowd responded in kind. I did as well as seeing Vinnie play a Pantera song again was excellent. I leaned back over to the dude and said “I know THIS song” – and we exchanged high-fives as nerds are prone to do.
They also played the song Bat Country that Lars mentioned that was six years old and I’m just hearing it for the first time, but he was right, the song kicked ass and the guitarist played a solo that melted me and Erin’s faces off, so by the end of the set I was into it.
I seriously doubt I will ever be a member of the tribe, but it was fun to get such a crash course and live no less. I always say that the crowd is more interesting than the band, and this was a genuine, die-hard fanbase.Setlist:

– Nightmare
– Beast and the Harlot
– It’s So Easy (Guns N Roses cover w/ Duff Mcgakan)
– Bat Country
– Mouth For War (Pantera cover w/ Vinnie Paul)
– Almost Easy

Ok, so Jericho returns to say goodnight,signaling the end of the evening, and that closes the show. We stick around for just a bit, but keep in mind we had flown all day and basically came straight here, so we wanted to eat before hitting the after-party.

After-Party

I hadn’t heard of any official announcement of an after-party but with all of these people in town, we were certain their had to be a few happening somewhere regardless that it was a Wednesday night. I figured the Rainbow Bar & Grill would be the best place to go. They ironically had held the press conference there regarding the Awards show, just a few weeks back.
After grabbing a quick bite and dealing with the impossible mission that is parking on Sunset Blvd, we get out in front of the Whiskey-A-Go-Go,

But then we had some competition as we were approaching the Rainbow, out front Vince Neil was stealing the show. I didn’t even see it at first, she did and got my attention and pointed. I was so happy cause I’ve been to the Rainbow on nights where Lemmy is there and it looks MTV 1984, and other nights where their is more action at the Applebee’s around the corner, so on her first time here, I wanted it to be outrageous, and here is Vince Neil making a huge spectacle in front of a ridiculous car, with two blondes that looked like Super Heroes.

 

We make it inside and the place is rawking pretty hard but since it was close to 1am it was also starting to die down, as we realized that Vince was actually making his exit instead of his entrance. Regardless we had a good time sitting on the patio and me showing her the place and telling her stories till closing. Finally we headed back to the hotel, after a long day of traveling and rawking. Not bad for the first day eh? And we had actual weeks to go.

Photos –

Roy Turner
Justin Borucki
Mario Anzuoni
L. Paul Mann
Frazer Harrison

SXSW 2011: Foo Fighters premier Back & Forth w/ Secret Show

March 15th (Tues)

After a full day of meetings, filling out forms, permits etc – I took a break to have lunch right off Congress Ave.  I check to see what’s going on – and I had heard the rumblings of this since I got here so it didn’t come as a complete surprise, but the Foo Fighters were in town to attend the premier of a new documentary on them called The Foo Fighters: Back and Forth(keep in mind this is still the film period as music doesn’t officially start till tomorrow) – ok, so with all of the Foos in town, to promote a movie and a new record called Wasting Light, you know these dudes are gonna do a show, the only thing is finding out when/where/how to get in – a band that big I would think Stubb’s would be the logical choice – so I checked to see if their was any of that SXSW-TBA-“secret guest” action going on at Stubb’s that night, and sure enough there was,so I called by buddy that works there and he confirmed it.
When this sorta thing happens, the entire festival goes into Lord of the Flies mode, as even non- Foo Fighters fans couldn’t bare, not getting into something so exclusive – so everyone freaks out.
But I stayed calm – and first the premier –
So I hear that the premier of the movie is happening in like 15 mins about 3 blocks away – their is no way I’m gonna get in – I don’t even have a music badge, let alone a film one – and the line must be around the corner by now right?
But since I was so close I had to go have a look – and as I turned the corner, out front of the Paramount Theater, I saw the limo with the FF logo on the side (for the first single, White Limo, the video features a funny car chase with limo driver being Lemmy respectively) –

 And yes, the line was almost to the goddamn freeway, but remember what I said about staying calm? – I don’t know what came over me – but I just walked up to the front, in the opposite direction of the line, walked into the front door, past security, past the ticket takers and up the stairs I went – nobody asked me shit, I had no credentials of any kind around my neck, nothing – either I just looked like I belonged, or they were too busy to notice, but I got my ass out there and quickly found a seat.

The Foos did a quick introduction with the director before the show started and then the film began.  I loved it, I thought it was excellent and very well made. It picks up right after the death of Kurt Cobain, and covers literally everything, no matter how insignificant from that fateful day in 1994, till the present day if it involved the life of Dave Grohl(except oddly, for a film that clearly prides itself on completest, for some reason, the Them Crooked Vultures project featuring Josh Homme and John Paul Jones was omitted entirely, weird) – even if you are not a fan of the Foos/Nirvana or whatever, and I admittedly really haven’t kept up that much since the first record came out, way back when, but this movie is done so well, its easy to enjoy. Not to mention the perfect thing to get you pumped up a little bit, knowing your gonna see them in a few hours in a venue that is about a fifth of the size that they could sell out.

So, after the movie, and since I already ate, I thought it would be best to just get over to Stubb’s and get my ass in there.
When I got there, word had spread pretty quickly that the “special guest” was the Foo Fighters and a significant line had already formed but no one was allowed in yet.
Thankfully Stubb’s staff recognize me & quickly escort me in, always grateful for their hospitality.
I couldn’t resist eating again at Stubb’s, so I got a to-go order, ate it outside and shortly after the show started. I didn’t realize that the blue wrist band they gave me would actually allow me to watch side-stage, until I saw some people up there with them on, so I quickly jumped up there as the show was starting.

 

It was cool seeing them in such a smaller venue than the last few times I’ve seen them, but keep in mind, they were here to play you the entire new record – that’s 11 songs in a row, that you have never heard, that you are about to hear for the first time in a packed live setting. So that can be taxing, but people do it with the hopes that after the agenda has been reached, all bets will be off and they can launch into whatever song they are hoping to hear.
And lucky for them, Grohl, is one of the coolest people there is, and he knows this, so after playing the entire new record – they came back out and did a second greatest hits sets of 10 more songs –

Setlist – 

Wasting Light –

Bridge Burning
Rope
Dear Rosemary
White Limo
Arlandria
These Days
Back & Forth
A Matter of Time
Miss The Misery
I Should Have Known
Walk

Encore:

All My Life
Times Like These
My Hero
Learn to Fly
The Pretender
Stacked Actors
Monkey Wrench
Everlong
Best of You
This is a Call

..