Hip Hop Hooray! Eric B & Rakim reunite + Fortress Festival w/ RZA & De La Soul & more (May/2018)

Great month for Hip Hop as some of the greatest of all-time where coming through town left & right including one legendary show I thought I’d never see:

U-God of Wu Tang Clan – March 13th – The Rail Club – Fort Worth, TX

On his way to SXSW in Austin, U-God from the legendary Wu-Tang Clan stops in for a rare show mid week at an obscure club out in the sticks of Fort Worth. So it was no surprise that the attendance was less than scarce. About 40 faithful showed up to hear tracks from his new LP Venom set to drop at the end of the month.

He was very appreciative of the audience no matter the size – “I respect what I got & all of you are my hardcores & I appreciate yall being here” – A busy man he also has his long-awaited tell-all book RAW coming out soon & after reading an excerpt from the book this is going to really fill in some much info about the dysfunction of the rap collective. Hopefully we will have U-God on TrickyKid Radio soon to discuss.

Mixmaster Mike – March 17th – Lava Cantina – The Colony, TX 

And speaking of TrickyKid Radio, we had a blast welcoming Mixmaster Mike to our show while he was in town for a super fun St Patrick’s Day celebration!

Earlier that day, we had the pleasure of sitting down with Mike for a great talk that if you click the above link you can check out for yourself, Lot of great info & stories you might not have heard before. That evening, as you can tell by the above photo, he blows the roof of the place with a full on-assault that covered Rock, Hip-Hop, Metal, Punk & everything in between.
He takes on the wheels of steel for Cypress Hill this Summer, look for tour dates & check out our episode with one of the most innovative personalities in the world.

Erik B & Rakim – April 25th – The Bomb Factory – Dallas, TX

Touring for the first time in 25 years, Eric B & Rakim brought a little mic-to-mouth resuscitation, some rhythm with radiation to the masses once again.

Let me illustrate why Eric B. & Rakim remain one of the genre’s greatest acts:
Rakim exploded previous conceptions of what it meant to be a rapper with an arsenal of verbal hand grenades. It’s hard to overstate his influence on the form as one of the greatest MCs and lyricists ever. In terms of sheer delivery, Rakim was a game changer, one of the genre’s first true technicians.

Rakim brought a jazzy presence to hip-hop with his unbounded, free-form approach to the music, deviating from the straightforward rhyme patterns favored previously. Moreover, he just sounded different. Steely yet laid-back on the mic, Rakim rapped deliberately, with poise and command, eschewing the let’s-get-the-party-started energy levels of so many of his fellow MCs — we’d call ’em peers, but really, Rakim had few.

Now on to Eric B. – I personally am a DJ today because of Eric B.he has much impact on what it meant to be a DJ and producer as his partner did on MCing. Like Rakim, Eric B. possessed prodigious technical skills — dig his robo-wristed scratching on any of the three instrumentals on their 1987 debut Paid in Full. But it’s as a producer where Eric B.’s influence is most deeply felt.

For starters, he played a significant role in popularizing sampling in hip-hop. About those samples: Eric B. favored old-school soul sounds, a then-novel approach that would quickly be absorbed by everyone from A Tribe Called Quest to the Wu-Tang Clan.

In both sound and content, Eric B. & Rakim moved the genre forward, influencing a broad swath of descendants, from future indie backpack rappers who marveled at the duo’s musical progressiveness to the next wave of gritty New York City rappers who found stardom the following decade. All these years later, the music remains resonant.

Setlist – 

Don’t Sweat the Technique
Guess Who’s Back
I Know You Got Soul
My Melody
In the Ghetto
I Got It Made (Special Ed cover)
One for the Money (Horace Brown cover)
Hip Hop Junkies (Nice & Smooth cover)
Mahogany
Move the Crowd
As the Rhyme Goes On
Microphone Fiend
The R
Eric B. Is President
I Ain’t No Joke
Paid In Full

Fortress Festival – April 28th-29th – Kimball Art Museum – Fort Worth, TX

Man the lineup for this year’s Fortress Festival was stacked, especially if your a fan of Hip-Hop & R&B.
I was very excited to see some of my all-time faves on the roster for a perfect weekend in the sun. This fest was so chill & easy – think about that – When you think of multi-day festivals your excited to see so many acts but you think about what a complete pain in the ass most festival experiences are. Not here, parking was easy, staff was friendly, there was only two stages to nagivate & they even had a sampler bar area. Good times.

Day 1 brought the noise hard with of 2 the GOAT in Hip-Hop

The RZA (Wu-Tang Clan)

Shabazz Palaces – 745pm

De La Soul – 830pm

Day 2 brought an artist that I have longed to see: Lee Fields & The Expressions –

His eyes shielded with dark sunglasses and decked out in a shimmering, silver shark-skin suit, Fields strolled on stage like a dazzling faith healer. Stocky and energetic, sizzling with charisma and charm, his mini-Afro patted neatly, perfectly, Fields got the room swaying with his smoky social commentary, “My World.” As he sang this preamble, Fields unbuttoned his jacket, peeled his shades, extended his arms and lead us into the groove.

Running through material from their fine albums, My World (2009) and Faithful Man (2012), Fields and his six-piece band revived soul. On songs like “Still Hanging On,” “Fought For Survival,” and “I Still Got It” they delivered the blessed touch through rump-tumbling bass lines, chicken-grease guitar licks, that organ-pumped, on-the-one rhythm and blues, and the trumpet/tenor-sax horn section punctuating Fields’ wailed verses.

Like Sharon Jones and the Dap Kings or Charles Bradley and the Menahan Street Band, Fields and the Expressions can channel multiple classic soul modes — Muscle Shoals, Stax, Philadelphia International. But on numbers like “Money I$ King,” where Fields shrieked James Brown-like over the band’s grits, greens, and pass-the-peas funk, you could hear why early in his career he was sometimes called, “Lil’ JB.”

A Night of Symphonic Hip-Hop w/ Wylclef Jean – May 2nd – Winspear Opera House – Dallas, TX

Full disclosure: My fiance’ was on hand playing violin with the Dallas Pops & that’s what got me in the building to check this out.
Secondly I say that to admit full bias but at the same time, you should know that previous to this event, I wasn’t exactly a fan of Wyclef Jean. Sure I own a copy of the Fugees’ The Score but it’s not my go-to for Hip-Hop, not to mention every interview with Jean I read/see he doesn’t come off very well for my liking. Next, I too actually did a gig with him way back in 2011 when the Super Bowl came to Dallas & I DJ’d a party for Maxim that we headlined. His show sucked & every performance I’ve seen on TV hasn’t faired much better.

Naturally I didn’t tell my girl all this cause I wanted her going into this hoping for the best. She’s not the Hip-Hop afficiando that I am but she does like it when I play it & we have fun dancing when we go out. Let me cut to the chase & say that Jean eased my fears almost immediately & put on one of the most unique, engaging & memorable shows I’ve seen this year.

Jean also brought along his own electric trio and backup singer, introducing conductor Scott O’Neill with a rapper moniker, “Scott O.”
The orchestra did a fine job filling out Jean’s songbook, culled from his time as a founding member of the Fugees, his solo career and role as a producer and songwriter. the raps were fluid and swinging, addressing a broad range of subject matter.
At one point, in spite of this being an opera house, he stormed the aisle leading a faux conga line like it was Spring Break.
Good times.

Photos – 

Roy Turner
Fortress Festival Staff

Coachella 2010 (April/2010)

Coachella Valley Arts & Music Festival – April 17th-18th – Empire Polo Fields – Indio, CA

Day 1  

So Sam and I got up and got it together to take the long drive out to Indio and the Coachella Valley for the festival. With no traffic it would still be just under two hours, but with LA traffic and that of the hordes going to the festival, I knew it was gonna be a haul. I was super excited as besides the one-two punch of Prince and Portishead of 2007, in my opinion, today was going to be the single best day lineup in the festival’s history as far as my tastes are concerned, with Faith No More, the Dead Weather and Devo to look forward to. Usually you have to pick and choose as alot of your faves will be on at the same time, but these three had lined up perfectly for me. Pulling in I had no regrets about missing the first day yesterday, and I soon learned just what a good idea that was.
This was my 7th year at this festival, so I know my way around it very well, and I know it grows every year, but when we pulled up, something was truly amiss.
We didn’t even get there till almost 7pm and there were more people outside the festival, than I had seen inside the previous years. We started hearing stories about total chaos, the night before and people already calling it Clusterfuckchella. Apparently, they were way understaffed this year, and the ticket scanners were not working, so shades of Woodstock, for a brief time last night, the festival was free to get into. I think those outside got wind of this, and those without tickets thought it would happen again tonight. Parking was a logistical nightmare, and that was just the beginning of our problems. Once we were on foot headed to the grounds, to go to, like I always have, the Will Call window, to claim our credentials, the trouble really started. Nobody knew anything. The Will Call tent was not where it had been in previous years and not one staff member could tell me a thing. I finally find this makeshift building by the parking lots and they spill some bad news. This year, and no one had told me, they came up with the brilliant idea to have Will Call off-site, as in not in walking distance, at a hotel over 5 miles away.
Faith No More, our whole reason for taking this on, were going on in an hour – what the fuck do we do? – I tried to stay cool, because fuck just being some jerk off fan trying to see a band, this was a major inconvenience, regardless of the capacity. So we walked over a mile to the nearest cab stand and had him take us over to this hotel. Since it was late in the day and on the second day, things when we got there were in total disarray.
Of course they couldn’t find our wristbands, and it wasn’t without trying, as I can’t complain about so nice they were to us, and apologizing and getting us stuff to drink while we waited. You are gonna think by reading this that I’m a total celeb-whore, but I’m just trying to tell the story and make it fun, so while we were standing there feeling like losers, Sam looks at me and says “hey check it out, American Pie girl” – and to our left was Shannon Elizabeth, apparently in the same predicament we were in:

 I honestly wouldn’t have recognized her if Sam hadn’t pointed her out to me. One of the skinniest people I have ever seen. So that was fun, and then we waited, and waited, and keep in mind the cab driver is still waiting to take us back. Our spirits started to diminish as Faith No More’s start time came and went, as we knew even if we had left that second it would take us most of their set to get back and get settled. So literally after waiting for over an hour, they found our wristbands, gave us a premium parking pass and apologized profusely. NOW we were golden,but how much was this cab gonna cost? In NYC it would have been over 200 bucks easily and I was prepared for the worst, when we find out that this gentlemen was so kind to us that he turned the meter off when we got there and the fare was under 40 bucks! Sam tipped the man very well and he dropped us off behind the main stage and we used our All Access passes to catch the end of their set.
We only got to hear about 4 songs, and I felt most sad for Sam as I had just seen them and knew I’d be seeing them again this Summer, but Sam had never seen them.
Still a great fucking show – they killed, and oddly alot of people had no idea who they were.
Here’s the setlist -Reunited (Peaches and Herb cover)
From Out of Nowhere
Caffeine
We Care Alot
Last Cup of Sorrow
Ben (Michael Jackson cover)
Surprise your Dead
The Gentle Art of Making Enemies
Midlife Crisis (- this is where we came in at)
Epic
Ashes to Ashes
Just a ManSo, yes, quite disappointed, but totally fucking relieved to be inside the festival and the place was our oyster with our access passes. So we said fuck it, hopped on one of the golf carts and headed to a side stage to see Major Lazer. If you are unfamiliar, its Diplo‘s new project with a crazy reggae singer/dancer with his troupe of backup singers in booties shorts. As far as a visual it did not disappoint, and the tent they played was freaking packed.
It was nuts, with these giant Chinese New Year dragons, and the dancers were flying through the air. At point, she even climbed up this ladder and jumped into a freaking kiddie pool onstage. One of the more what the fuck moments of the festival (but their would be more).
So after that settled down, Sam and I were lamenting the events of the day and having a good time, and we are standing side-stage waiting for Les Claypool to come on. Sam works in film and knows that I am huge fan of the Police, and was telling me about his experiences working on a recent documentary on Andy Summers, when as if we had somehow summoned him, a tall figure with easy to identify, full head of gray hair walks right by us, and Sam and I look at each other like “Damn that looked like Stewart Copeland right there ironically!” – So again, I guess I was in fanboy mode on this trip as I would normally never commit what I was about to do. Having no real confidence that it was actually him, I just strolled over to where he was sitting and lo and behold, there he was. One of my biggest idols and the reason I started playing drums and was ever in a band, Stewart Fucking Copeland. As big of a dork as I could have been, I was actually alright. It felt good to be excited again and even a bit nervous. Doing what I do, you can get used to this stuff and I don’t want that. I always want to retain that feeling of excitement or otherwise I’ll just do something else. So I made some bullshit small talk, and when that ended I broke my cardinal rule and asked for a photograph and he obliged. He was sitting there with his young daughters, can you believe that I was wearing that offensive Les Savy Fav shirt?
I had forgotten for a second that he was in a band, Oysterhead, briefly was Les Claypool, to explain his attendance. The plan was to watch 30 mins of Les Claypool and his new project, the Fancy Band before heading over to the other stage to see the Dead Weather.
Les was cool, I hadn’t seen him in awhile, and his new band was as weird as you would expect. I didn’t recognize any of the songs, but what I heard was good.
Now it was time to hop back on one of the golf carts and get over to the Outdoor Theater for the Dead Weather.  To know me, is to know of my adoration for all things Jack White. I had seen this band several times already, but I was excited to see what they would do here, as most bands make this appearance unique.
The driver dropped us off behind the stage, and that was cool as I can’t complain that I’m 3 feet from Jack White’s drum set, but that’s all I could see. We try to squeeze in on this tiny ledge to the side of the stage and that’s when I learn that these bands were pulling that shit I experienced at Lollapalooza last year, where the band’s have their own stage passes, making anyone else’s worthless as far as watching side-stage. I thought that kinda shit would be below someone like Jack White, but you never know if he was even aware of it. While we were squeezing in, I saw another familiar face/drummer as I looked over and Tommy Lee was next to me, talking to Perry Farrell and his wife, and some chick with the grossest and clearly botched boob-job I’ve ever seen without the presence of mind to not be proud of them and not show them off. I don’t know if she was him or not but check this out:
Isn’t that dark? – I spoke to him briefly and I hadn’t realized that he had performed the night before as the drummer for deadmau5, until he told me.
So the show starts and I decide I wanna go out front so I can see the show proper. It was the perfect time of the night, when everyone is in full swing and the vibe is there and the Dead Weather came out and just killed. Oddly, the wind and the palm trees proved to be a perfect setting for the band and did nothing to offset their gloominess and only gave it a better place to flourish. Think about all that we had seen already and what the crowd had witnessed over the past two days, and it was understood that this was the real deal. Playing most of their debut, Whorehound and a few off their new record, their set was flawless.
During their set and while I was talking to Tommy Lee, Sam went to find his friend Nicole, who had come out from Texas for the festival, and I met back up with them towards the end of the Dead Weather. We snuck her backstage and hopped on a golf cart to go, and finally see – Devo.
I have waited a long time for this. I’ve seen tons of shows and so its not often that I get to see a band that I love for the first time, and for whatever reason, Devo had eluded me for too long. So this was my time – again, we can’t complain but we had that standing behind the stage issue again, but still happy to be there at all.
I had waited a long time for this, and it was freaking awesome! Their about as smart and as funny as you would expect. Updating their look did everything to re-establish this:

 and only made it that more awesome when they came out for the encore in their old outfits. A couple of funny things happened in between. When they were on, there was a small child asleep right by my feet (we were standing behind the drumkit) and when they came back to change into the old outfits, the guitarists was checking on the kid. When they returned after the encore, the kid was gone, and he looks at me as says “Have you seen my son?” – half joking/half serious. I told him I think his mom rescued him from the noise.

The other thing was, its become common knowledge that for whatever reason, actor Danny Devito is a fan of this type of music, namely he’s been seen at any project Mike Patton is involved in, even appearing in a Peeping Tom video, so spotting him at Coachella, is like spotting David Byrne on his bicycle if you live in NYC, its just bound to happen, and its no less a little entertaining each time. This time in particular, as he and Patton and FNM’s Tour Manager, Tim Sweetwood, were watching and grooving behind the stage next to us.
I would have liked to have seen a bit of Die Antwoord, as I just recently been turned on to them, and I saw them backstage and they looked like total freaks, but that was the only scheduling problem I had. Let’s hope tomorrow goes as smoothly. As we were leaving, Nicole takes a pic of Sam and I, and I know we were tired, but this might be the worst pic of me yet:

   We still had to get back to our original parking spot and we knew it would be hours before we could even move. We sat and and laughed for about an hour until I had remembered from being there so many times, and easier way out. We were gonna stay with some friends nearby, so that we wouldn’t have the long drive back, just to drive right back here a few hours later, but we lost touch with them. I think Sam was eager to get back too, so I hit the back way, and about two hours later we were back in Los Angeles around 4am.

Day 2

  So Sam decided not to go today as he had a bunch of stuff to do before starting the work week. He called his friend Nicole and offered her the wristband I gave him, and I was to meet her at the festival. Thank goodness, I already had my wristband, parking pass, knew the score, and all I had to do was just get back out there. Sadly, again their really weren’t any bands playing that would have really warranted this effort in my opinion, other than maybe Sly Stone, but with his reputation, I wasn’t even sure if he would show, but after all I had been through yesterday, I was going to go and enjoy the day and the pampering of the credentials. I get there and I’m parked and inside by 4pm, easy breezy. I would have liked to have seen a bit of Mayer Hawthorne after getting turned on to them at SXSW last month, but I just missed them, but I was in time to see De La Soul.
Freaking 23 years into a career that’s outlasted everybody, they rawked the main stage, showing that they’re not only showing no signs of slowing down, but that they’re in peak form. A perfect time slot for their sunny, throw-your-hands-in-the-air- vibe, MCs Kelvin (“Plug One”) Mercer and David Jude (“Plug Two”) Jolicoeur effectively played half the crowd (“Say hip-hop!”) against the other (“Say par-ty!”), dropped their hits (“Me, Myself and I”), covered Run-D.M.C., and proved an inspired choice for a Sunday Coachella afternoon.

  After they were done, I walked over to one of the side tents to see this fun couple (who actually live around the corner from me in Brooklyn) Matt &Kim, who always put on a fun show. Their music is silly and almost circus like, not anything I would ever listen to at home, but live they are always a blast. They had a huge crowd, mostly of the younger, hipster variety, but a good time was had by all:

   This is where I was to meet Nicole as well, as she had text me to let me know she had arrived right after they were done. We meet and I give her the wristband so you can come backstage, and I was starving and thankfully, the catering tent for Artists was not on the other side, but right behind the stage we were already at. A nice spread by anyone’s standards – amid hardly anyone was in there, so it was a blessing to be in the shade and comfort of a private tent having a great meal and with all the beverages we could consume. I knew this would probably be the only meal of the day so I stocked up.
Thankfully, the next three acts I wanted to see were all at that same side tent right across from the catering tent. Flagging down a backstage shuttle got to be a bit taxing the night before and I was happy to not have to do it as often. Still the big question still lingered: Would Sly Stone show up at all, and if he does, what condition will he be in? –
After eating we walked over and caught a bit of Charlotte Gainsbourg – I got her record this year, and in spite of her famous father and all the privileges she’s been given, I think she is quite talented, and to-die-for gorgeous:
I enjoyed her set way more than I thought I would. I bet it would be better in a dark night club at like 1am however. Now clearly the producers of the festival had the same amount of confidence as I did sadly about Sly Stone’s arrival – Based on his contributions, he could easily headline the mainstage, but based on his reputation, for a cracked-out no-show, they put him in a side-tent at 7pm, scheduled right after Gainsbourg. So we waited…and waited…until an announcement was made that he wouldn’t go on before anyone and would be going on after Little Boots. Here we go, I thought – so we had some time to kill, so we headed over to the backstage compound behind the mainstage. It is literally paradise back there, with sculpted grounds, a man-made lake and a swimming hole and a nature walk. Just the thing to literally get away from it all. How spoiled are these fuckers? but that’s why playing here has the prestige that it does. I show Nicole around a bit, and they were consistently out of beer. I made a joke openly about it and after everyone laughed this guy kept bugging me to take my picture. I didn’t mind so I have no idea why I look so pissed here:
     We waited…and waited…and waited. Until now another announcement was made that “Sly didn’t like this stage and insisted on playing in the tent adjacent to this one” – whatever, this is getting browner by the minute. I waited another 45mins and during that time was when we lost her friend, and then briefly I lost her. When she returned we went over to the stage where Sly Stone had supposedly switched to and their was no sign of him. We still had an hour before Gorillaz were going on, and I did want to see Plastikman, and we were at the stage where he was about to begin.
These DJ’s have really upped their game to make it a visual experience and really give people something to look at:

 Which is important because unless the DJ is someone like Rob Swift, or a turntablist doing tricks, their really isn’t much to look at. This one was exceptional, as in like pioneering so. The giant cage opens and with the visuals it starts to look like its transforming into a monster’s mouth – opening and closing. I was cold sober and it was freaking me out, Nicole’s troublesome friend, had taken god-knows-what earlier and was clearly overwhelmed.
We left the set just a bit early so we could get a beer and get in position for Gorillaz. As you may know they have this rule that you can’t drink outside the designated areas in the general population. I could have just gone backstage, but I actually hadn’t walked the grounds yet and it was the last band on the last day and I felt like I was being snobby and missing the atmosphere. We grabbed drinks as they started and we were in the beer garden next to the stage, so we just said fuck it and stayed there as that was probably the best view we were gonna get. To be honest, though I find the Gorillaz to be interesting, I really couldn’t have cared less. Our obstructed view kinda cost us the visual element that is so important to their performances, but we had a good time and it was a good show. I only know the singles, and I know that one features De La Soul, so I had a good mind to think that we would get something special and hear that song performed live and with De La. And that’s exactly what happened:

…and that was just the beginning – of course this festival is famous and carries the prestige that it does because bands will make their appearances here legendary (unless your the Cure) and though I had previously underestimated this show, this proved to be one of the most epic in the festival’s history.  I learned that their set was marked by a lot of firsts. It was their first live performance in five years, the first time they had the Clash’s Mick Jones and Paul Simonon (in sailor suits, too) on stage with them and the first time they didn’t perform backlit behind a giant screen. Then out-came freaking Bobby Womack!

Little Dragon’s Swedish-Japanese vocalist Yukimi Nagano crept up onstage during Empire Ants also marking her first live performance with the band. I even saw Flea, who performed with Thom Yorke an hour prior, rocking out in front of us. Just an awesome, unbelievable show. I always thought Damon Albarn was overrated, now I’m not so sure 🙂
After they played I started hearing stories about what actually happened with Sly Stone – and this story got national attention so you may have heard about it, but in case you didn’t – what I am about to unfold is seriously the brownest shit I’ve ever heard. Keep in mind, I didn’t see any of it (their was a Twitter update saying Sly Stone – Mojave Tent 10:45pm – but I was getting zero service out there) as per the story I had given up on Stone, but I saw the Youtube video so it can’t be disputed. Like you knew that if he showed at all, it could have been dark, but no one could have predicted just how much this person has no business walking around unassisted in regular society, let alone performing on one of the biggest stages in the world. I blame his handlers for being greedy to push him out there, and it was sad and downright disturbing to see the video and hear what had gone down. Between the video and stories I heard here is what happened:” He came out in a blonde-and-black streaked wig and a navy cop’s outfit (complete with badge) and black sequined smoking jacket.
He then launched into a diatribe about a lawsuit against his former manager, Jerry Goldstein, saying, “I didn’t know I was being stolen from,” as well as something about now being able to buy his own shoes. Then he sat down on the edge of the stage and sang a preview of a new song – which ended when he rolled back and laid down on the stage.
Things started looking up when he got through most of “Dance to the Music.” Then his keyboard when awry. The band immediately kicked into “I Want to Take You Higher.” Then he walked to the front of the stage and fell on his face into the photo pit and was carried out after less than 30 mins.”
And that was that – another Coachella down, this one seemed to go by super fast. I said goodbye to Nicole and her intoxicated friend and headed for the car and back to Los Angeles. Maybe I’ll make it number 8 next year 🙂
Photographers:

Roy Turner