Excelsior! A Celebration of the Uncanny Life of Stan Lee (Jan/2019)

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Excelsior! A Celebration of the Amazing, Fantastic, Incredible & Uncanny Life of Stan Lee –
January 30th – TCL Chinese Theatre – Hollywood, CA

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Longtime friend and filmmaker Kevin Smith hosted “Excelsior! A Celebration of the Amazing, Fantastic, Incredible & Uncanny Life of Stan Lee” at the TCL Chinese Theatre in Hollywood on Wednesday night. Lee, who died on Nov. 12 at age 95, helped create some of the most iconic superheroes in history for Marvel Comics, including Spider-Man, Iron Man, Thor, Hulk, Black Panther, Dr. Strange, and the X-Men.

“I remember Stan meeting [‘Spider-Man’ star] Tom Holland for the first time,” Sean Gunn, one of the stars of “Guardians of the Galaxy” told Variety. “The thing you have to know about Stan is that he was always f—ing with people all the time. He never stopped doing it. He said, ‘Tom, everyone tells me that you’re the perfect Spider-Man, but I can’t see it.’ Tom’s face fell and Stan laughed. He looked around and winked at the people who knew he was messing around.”

Smith first met Lee while filming “Mallrats” in 1995 after writing a small role specifically for the comic legend. A short meeting about how inaccurate the character was to Lee’s actual persona soon led to a 23-year friendship.

“He never gave me any advice, which was so awesome because that’s what a friend is. He doesn’t tell you how to live your life. He just enjoys the life that you live,” Smith told Variety. “He never gave me advice, but he gave me so much more than that. That man lived the life, where I was like, ‘I’m gonna borrow that, gonna borrow that, gonna borrow that.’ He was never like, ‘Kev, be like me.’ I just chose to be like him.”

The celebration began with a police flag-raising ceremony outside the TCL Chinese Theatre and a salute by Veterans in Media & Entertainment to Lee, who served in World War II. The veterans group presented a memorial flag to his daughter, J.C. Lee.

Inside, Smith hosted several star-studded panels to remember the impact Lee had on so many people’s lives and careers. Without Lee’s early comics, “Spider-Man: Into the Spider-Verse” producers Phil Lord and Chris Miller wouldn’t have had the inspiration for their Oscar-nominated film.

“Our first encounter with him was at eight years old reading comic books. We first met him when we were 20 years old and snuck into a Comic-Con after-party and ran up to him. Any other person would’ve totally been calling security over,” Miller said. “Reading his notes to the readers in those pages was the first time we felt part of something bigger. He made ordinary people feel extraordinary. To me, that’s his legacy.”

In the final pages of many of his comics, Lee penned “Stan’s Soapbox,” letters he wrote that spoke to the reader in a humorous, honest way. Few other creators developed such a direct relationship with their legions of adoring fans.

“He had such a personality that came across the pages,” “Star Wars” star Mark Hamill said during a panel. “He put a human face on what it was like to work for a comic company. He had catchphrases, like ‘Excelsior,’ and ‘Stan’s Soapbox.’ You really felt like you knew him. He branded that company. He was the figurehead. He was the guy, Stan the Man.”

“Stan’s Soapbox” also united fans of all backgrounds and championed respect, equality, and diversity. One of the most famous letters from 1969 that condemned bigotry went viral following his death. Wu-Tang Clan member and filmmaker RZA repeated Lee’s words to a hushed audience.

“Bigotry and racism are among the deadliest social ills plaguing the world today. But unlike a team of costumed supervillains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them — to reveal them for the insidious evils they really are,” he read. “Sooner or later, if man is ever to be worthy of his destiny, we must fill out hearts with tolerance.”

Los Angeles Mayor Eric Garcetti honored him with a posthumous key to the city. The one-of-kind key was made from solid brass and wood from a fallen tree in the San Fernando Valley, where Lee spent a lot of time.

“Whether you’re lucky enough to be born here or smart enough like Stan Lee to come here, this is indeed a City of Angels. This is a place where we have heart, we have spirit — things Stan Lee was all about,” Garcetti said during the ceremony. “Whether you’re a woman, or a person of color, or LGBTQ, or a religious minor, or a senior, we start thinking of everyone as an underdog. Stan Lee did things to give us a place where we felt ourselves.”

The panels were punctuated with montages of Lee’s cameos in dozens of superhero pics, personal videos of him signing autographs while singing, and tributes from other celebrities. Seth Green remembered meeting his wife during an encounter with Lee, and Laurence Fishburne recited “The Raven,” Lee’s favorite poem. Other panelists included Felicia Day, Tom DeSanto, Avi Arad, Amy Pascal, and Joe Quesada. Video tributes from Dwayne Johnson, David Tennant, Ming-Na Wen, Mike Colter, and Doug Jones also played.

he next panel brought out the big stars who had shared the screen with Lee throughout the years, including Mark Hamill, Laurence Fishburne, Clark Gregg and Felicia Day. Hamill offered the best impression of Lee’s unique voice, as he channeled the comic creator’s response to how he remained so youthful into his nineties: “Well, Mark, I like to get up early in the morning and work very, very hard all day long.” Hamill implored the audience to accept that everyone has had a personal relationship with Lee and that, “If you saw him, you also know him. He was who he was.”

Agents of S.H.I.E.L.D. actor Clark Gregg noted of Lee’s work, “I feel carried by his work. I feel inspired by it.” Fantastic Four: Rise of the Silver Surfer actor Doug Jones, who portrayed the Surfer (Lee’s favorite character to write for), appeared by video clip to quote Silver Surfer No. 3 in a tear-jerking moment, “If die I must — let it be as I have lived — soaring swift and silent — striving for the right — no matter what the cost!”

Gabriel Olsen/Getty Images

Los Angeles Mayor Eric Garcetti

Perhaps the biggest moment of the night came with the appearance of Los Angeles Mayor Eric Garcetti, who detailed Lee’s love affair with L.A. before running through a catalogue of his own nerdiness, including a proclamation that no one could offer him enough money to let go of his complete collection of original copies of the Wolverine comic series. Garcetti then stated, “Stan Lee was a mensch who always fought for the underdog,” before presenting Stan’s former company, Stan Lee’s POW! Entertainment, with Garcetti’s third-ever “Key to the City,” carved from a fallen tree and engraved with Stan’s image and catchphrase, “Excelsior!”

Lee, known for his unorthodox methods of community building and progressive values, found an ally in RZA, who expressed that the Wu-Tang Clan was partially inspired by the comic creator’s work, allowing themselves to take on their own superhero names. The room was silent while he recited a famous 1968 passage from Stan’s Soapbox, a passage that Stan would sometimes insert between the pages of his comics, decrying bigotry in all its forms: “Let’s lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today.” Laurence Fishburne returned to punctuate this silence with a stirring live rendition of Edgar Allan Poe’s “The Raven,” a favorite of Stan Lee’s; for a moment, the whole world seemed to stop for the haunting poem.

The night was rounded out with several panels of Lee’s comics collaborators, including Joe Quesada, Marv Wolfman, George Perez, Bill Sienkiewicz, Jeph Loeb and Stephen Wacker. Each recounted their personal experiences with Lee and how he either inspired them or took personal time out of his day to make them feel special and invited to the comics community. Quesada, former editor-in-chief of Marvel Comics, emphasized how much he strived to live up to Lee’s ideals when running the company himself, suggesting that, when Marvel adheres to Stan’s fan-oriented principals, then the company is doing its best.

However, it was Wacker, who sat in Stan’s former seat as the editor of the Amazing Spider-Man comic, who addressed the elephant in the room head on: Bill Maher’s recent derogatory comments about Lee’s legacy and the value of comic art. After a night where Lee was consistently compared to Shakespeare, Wacker said that perhaps everyone understood that there were more “important” things in the world, and in art, than comics and pop culture, but that this kind of escapism and joy “is what we are fighting these fights for,” before ending the night on a resounding “Excelsior.”

Gabriel Olsen/Getty Images

Wesley Snipes

On and on the night stretched, with panel after panel sharing their stories of Lee, as if to say that, if the night never ended, we would never have to truly let the creator go. Approaching midnight, Kevin Smith assured the crowds, “Don’t worry, we only have a week’s worth of panels to go,” before launching into his final story of the night.

Smith shared a story about a time that he invited the elderly Stan to his home, spending a spirited afternoon together. Yet, just before seeing him off, Stan tripped precariously at the top of Smith’s stairs, a situation that could have seen him gravely injured. Smith’s mind went to thoughts of the headlines the next day, remarking, “I broke Stan during my time with him!”

However, at the last minute, it was his road manager, Max Anderson, who swooped in for the save, catching Stan in his arms and immediately bouncing him back to safety. Smith called Max up on stage to a round of applause, where a teary-eyed Max told the crowd, “Stan isn’t looking down on us, he’s here with us. Inside all of you.”

Moments later, the crowd was singing the Spider-Man cartoon theme song, shouting “Excelsior” and heading home, given one final task by Max Anderson: “Share your stories, that’s how Stan lives on.”

“Stan’s greatest creation was himself. We love all the superheroes that Stan was responsible for, but we don’t get to meet those superheroes unless we met the character of Stan Lee,” Smith said. “If Stan wants to live forever, this is how it begins. Sometimes I lament because I honestly think I’ve met the best f—ing human being in my life, and now he’s gone. He meant the world to everyone in this room. We’re talking about someone who didn’t have to touch personally to touch personally. This is a guy who lives in everybody’s hearts.”

Legion M, a fan-owned entertainment company, the consultancy Agents of Mayhem, and Lee’s POW! Entertainment production group helped produce the tribute. Proceeds from ticket sales benefitted the Hero Initiative, a charity that assists comic creators with health expenses.

Photos –

Roy Turner
Gabriel Olsen

Michael Buckner

Kevin Smith & Friends Through The Years

Live Nude Smodcast w/ Kevin Smith & Scott Mosier – July 28th 2010 – Granada Theatre – Dallas, TX

 Ok so I get there right as the show starts with its familiar “Welcome to Smodcast I’m Kevin Smith” intro, and as I’m scrambling for a seat the first person I see is the character Ernie from the Rock N America story. Ironically the only empty seat was next to him and so I greeted him and sat down.
Kevin Smith is most widely known for the Jay and Silent Bob characters he created. They’ve appeared in comic books and in several of his films (Clerks, MallRats, Jay and Silent Bob Strike Back, Clerks II and more).
While the success of most of these films rely on the immaturity of the audience, Smith’s more sensitive side is subtly present. Smith’s screenwriting style tends to attract mostly a mostly younger, male audience.
Each week, Smith and his producer Scott Mosier host a one hour podcast that they’ve coined, SModcast.
(S for Smith and M for Mosier replacing the P from Podcast).
 

 


 

Following Smith and Mosier’s performance, the Tell ‘em Steve-Dave Live team (Walt Flanagan and Bryan Johnson) took the stage with Brian Quinn. The Tell ‘em Steve-Dave Live team had a similar presence with a conversational vibe, sharing stories and interacting with the audience.
 

 


 

  I didn’t know this was happening, and was grateful cause even though I had free tickets, I know alot of people here paid good money and only for an hour that would have sucked. Smith even bested that as after the Tell “em Steve-Dave podcast was over, he even surprised them by coming out and conducting an impromptu post Q&A that was an additional 40 mins of entertainment.
Smith is a strange one, I’ll always be grateful for the good times and associate Clerks, and Chasing Amy , with very pivotal times in my life. However, I just don’t know where he’s going with all of this. On one hand, he seems to be ahead of the curve as always, doing something progressive, edgy and in a tech savvy format that appears to be dialed into his core audience. On the other hand, he also seems like he’s so full of himself that he gets paid to talk with his friends that he has now expanded his Podcast network to a different one featuring him EVERY DAY OF THE WEEK, and TWICE ON FRIDAY. Who could stand that much of anyone? Maybe his wife can’t stand him and he needs something to do

 

Hollywood Babble-On w/ Kevin Smith & Ralph Garman – Jon Lovitz’s Comedy Club – Universal City, CA – January 7th 2011

Ok so tonight I was excited as I was seeing Kevin Smith in yet another format and I was interviewing his co-host Ralph Garman after the show for the L.A. Weekly. Ana, sadly was leaving in a few days and this club is in Universal City, so though I had doubts that she would be able to understand the jokes, I figured she might enjoy doing the Universal Walk. We get there and Frank (Manager) is a friend of mine and we were immediately seated up stairs (thanks man). 

Now I’ve written quite a bit about Kevin Smith in this blog, as I was a huge fan of his early work and though I know he tried to position himself as the next John Hughes, he never quite got there and admittedly has been treading water now for as long as he was on top.
It seems that he has found his niche in a speaking capacity, as though you will always think of him as Silent Bob, his speaking engagements seem to be his true calling and as prospered in recent years doing just that.
He and (producer) Scott Mosier have an extremely popular weekly podcast called SMODcast, and now Smith is setting up a Podcast network where he does four others a week on top of slew of other activities and now he’s hosting two more in one night (see later tonight entry). All I could think of was “Man, great work ethic, but when does he see his wife and kid?”.

This particular show discusses current events happening in Hollywood, and includes segments such as Tinseltown Stiffs (where recently deceased Hollywood celebrities are discussed) and Hollywood Helpers (where the pair point out acts of helpfulness or charity among the show business crowd). When discussing current events with Smith, Garman will also perform impressions of famous actors.

It was only slightly entertaining and more of the novelty of “Hey look, it’s Silent Bob”. It works in a comedy club cause it has the shtick-ish feel to it. The show used to be at a place Smith recently purchased to house all of his podcasts , the Smodcastle, (yes for real) but the shows were in too high in demand that they had to be moved here. I never saw any of those shows so I can’t compare but I think having it in a comedy club probably helps with more than just attendance size.
The show started to run over its time, and Smith said not to worry as he was “friendly with the guys in the next show” referring to his pairing with Jason Mewes in the next time-slot doing what Smith himself would no doubt refer to as “going back to the well” in reference to when you have nothing new to offer you go to what’s been proving reliable.
Right as Smith says this I jump as what seemed right behind me was protesting voice screaming “Fuck that shit!, I’m next” as I (and the rest of the crowd) turn around to see Jason Mewes entering to the dressing room that was, yes directly behind me.

The press agent sends a security guard to come get me, informing me its time for the interview, so I tell Ana I gotta go do this.
I enter a small by anyone’s standards dressing room, that is engulfed with smoke (pot/tobacco) and the only people in this little box are me, Garman and Smith, and Mewes and a male friend of his. I’ve seen Smith dozens of times, but it occurred to me that we had never actually met/spoke and certainly not in such an intimate setting, that believe it or not I felt nervous, but only for a second. That’s all the time I had before Kevin, asked me if the pot smoking bothered me (it didn’t) and also if I wanted a hit (I declined).

Ralph was expecting me and greeted me warmly. I made a few polite salutations before getting down to business.

You can read the entire interview here:

The interview lasted roughly 20 mins but 5 mins in, this little room started to fill up, namely with a rather loud-laughing female, I can only assume was Kevin’s wife. Mewes was getting louder and more out of control by the second and kept borrowing my lighter. The humor in the dysfunction and insanity around us was not lost on Ralph and I, as we shared a few jokes of our own, before I wrapped it up because by the 15 min mark, we were having to shout into each other’s ears to communicate.

The room starts to clear a bit and I stay behind having a drink and shooting the shit with Kevin for a bit then he takes off and it then its down to just me and this late 40s, impeccably dressed, over-the-top flamboyantly loud gay man and his female fag hag, with Mewes sitting in the opposite corner wearing headphones and seemingly struggling to concentrate on whatever it was that he was writing down.

I didn’t wanna overstay my welcome but the gay-crew had me pinned and they must have done copious amounts of cocaine before hand because I was stuck in this conversation where they ask questions, but before you can answer they are off on another tangent to the point you don’t even know what you are saying. Mewes was the savior by virtue, but still no less embarrassing as he practically kicked us out of the dressing room. He was cool about it, but we were clearly a distraction and this was his dressing room, not the kind of exit I wanted to make. Whatever, I head back to my seat and get ready for the next show.

(later that night) Jay & Silent Bob Get Old w/ Kevin Smith & Jason Mewes – Jon Lovitz’s Comedy Club – Universal City, CA – January 7th

I return to my seat and asked Ana what she thought of the show, and as I had feared, she really didn’t understand a word of it, but was having fun regardless and enjoying the nature of the evening. She didn’t know who Garman was, but of course she knew who Mewes was, and probably had a fleeting crush on him at some point like most girls seem to of had.

I don’t wanna sound like a dick or be too harsh on the guy, but Mewes talks like a crackhead and only looks about three hits away from being Steven Adler.  That’s not to say that my man hasn’t cleaned up his act, because from what I understand he’s been staying off the dope with the help of Smith and even got married a few years ago. But the damage to his appearance (not to mention, reputation) and his speech has been done and its irreversible.

The thing that struck me was Mewes has this whole drug-casualty-as-phoenix rising thing going, where that’s what you think of when you see him. Like, we almost lost this person to the point where we never recover from it and see him as we see everyone else, we still see him as on the edge or keep up the good work buddy but we don’t have the ability to see him as just Mewes anymore. The topic of his drug use, where should be kinda old news was on the tip of everyone’s tongue, especially Smith’s and he was the man with the microphone. They have maintained a dynamic relationship that is fascinating to watch. Mewes will tell a long-winded and often tragic story about memories from his childhood. Smith will jump in periodically with a sarcastic comment and quick punch line.

For their finale, they play a little game with the audience for comic relief called Let Us Fuck, which was the total what-am-I-doing-with-my-life-by-being-here moment for the audience (myself included) 

Kevin Smith calls out a sex position, and Mewes and an audience member have to imitate it, come up with what our version would be, based on what the name sounds like. (yes this really happend…and the prize was dildos for girls and artificial vaginas for the guys..courtesy of the show’s sponsor…Fleshlight).