#MosDef

SXSW 2010 w/ Man or Astroman? Les Savy Fav, Andrew W.K. & more (March/2010)

Sun: March 14th –

No rest for the wicked as they say, after recovering from the Flaming Lips blowout just the night before in Denton, I was now on my way to Austin. Now normally I don’t go quite this early as the music part of the conference doesn’t officially begin till this Wednesday and that’s when I normally get here. However their’s always stuff going on throughout and my reason for coming this early was: If you had to ask me out of all the bands I love that have broken up who would I most cherish see getting back together (within reason) who would it be? Well I have been very blessed in the last few years as the impossible happened with the Police reuniting and then the ultimate hell freezing over of Van Halen reuniting with David Lee Roth. So who’s left? Well, if the Pixies can do it, so can anyone right (except probably the Talking Heads). Well one of my all-time faves and perhaps my favorite band of the 1990s, Man or Astroman were reforming and even though they were scheduled to play two more times, I didn’t wanna miss the first (or any) show.
Besides a few warmup shows in their hometown of Birmingham, AL this was their first shows as MOA since the legendary Day of All Human Reckoning event they staged ironically here in Austin almost ten years ago (I attended that shit too)
So I don’t know the reason behind the reunion other than maybe just a desire to play, but didn’t really care as this was a chance to be a fan for once and have a good time.
I finally roll into town and am starving so I park next to the Mohawk where the show is happening and walk to find some food (and I see a line already forming around the building) and go to the burrito truck next to the Red-Eyed Fly. I grab some food and sit at the picnic table and immediately start chatting with the dude sitting next to me. As fate would have it, he was Kurt from Flosstradamus, we knew some of the same people and he was performing at the Mohawk right after MOA. We became fast friends and he walked me in so I wouldn’t have to deal with the line (thanks Kurt).

Austin’s The Octopus Project were opening, and they are pretty interesting. Their singer, who’s babe-ship has clearly come in, her act seemed persnickety and contrived however. I was ready to flame out fucking fanboy style for the Astro as I had already bought a t-shirt before they even came on.
The show starts and I’m clearly not the only one that was anticipating this, this much.

 I was freaking out and the crowd was right with it. The brought up the before-mentioned singer for the Octopus Project and Coco joked about being upstaged by her till he did this:

I was pissing myself, it was so awesome! So glad to have them back. One criticism I could offer however is that they said it was the original lineup, but I don’t remember what Birdstuff (drummer) looked like, nor do I remember him doing this: – this show was awesome but about every third song the drummer would come out from the kit, totally break character, commandeer the mic from the singer (much to the singer’s surprise and seemingly embarrassment) and launch into some pompous, mean-spirited blip directed at anybody’s guess, that sounded like two dude’s at Pitchfork arguing over who is more vegan. Sometimes it was funny but overall he just looked like a dickhead begging for attention.
Kurt from earlier was so cool, that though I was tired and had a long week ahead, I was totally gonna check his show out, and I’m glad I did. I have my own little DJ act and so I’m interested regardless and felt like I learned alot by watching. These guys were incredible.
Afterwards I was still pretty wired so I walked over to the Geobash and to familiarize myself with this year’s Pure Volume House. I may look back one day on the flyer below and regret not staying but for now, I had already had a long weekend, a long day, and one hell of a week to come.

Wed Mar 17th –

So I sleep pretty late when I should have got up earlier to hit registration. After leaving the Convention Center I swung by Emo’s to check out the first of many Brooklyn Vegan parties, this one with Fucked Up and the GZA. As I mentioned in a previous blog about my previous trials with the GZA this was yet another entry as their was a sign on the door saying “GZA has canceled”. Their was still a line out the door but now I was annoyed and a bit hungry. I hook up with Sarah as I had an invite to something that contained to of my deepest passions: crawfish and hip-hop – It was a free crawfish boil that was hosted by J Boogie (DJ-The Jungle Brothers). And I was in a hip-hop vibe in anticipation for the GZA before his bullshit canceled. It was a bit far, we had to drive, so we head on over and the shit was on. In maybe not the most practical locations but the food was fantastic and J was rawking some deep reggae stuff and their was some local micro-brewery getting everbody green beer (it was St. Patrick’s Day). It was a blast, we left with our ears ringing and a good late afternoon beer buzz, but what we didn’t leave with was our stomachs full, as good as the food was their wasn’t enough of it, so we were still hungry and hungry for more of the same.
Luckily we were in Austin as I’ve written before a destination for me that I try to hit on every visit to Austin is the Boiling Pot on 6th St right by I35. The shit is to die for! So I said let’s finish what we started and we went and ate till we could barely walk!
I knew I was missing a little mini 80’s hair metal festival (you know how I love those) up the street with Faster Pussycat, L.A. Guns, and the Lynch Mob – but I had a feeling I would see those bands again (more on this later 🙂 but I wanted to get there in time to see Razr 13. I would have totally overlooked the name and might have even left if I had gone earlier after the Lynch Mob, only to kick myself later as I was reading in the Austin Chronicle that Razr 13 was the new project from Doug Pinnick from King’s X. Doug is one of my all-time inspirations so I was eager to check this out, so we finally finished eating and headed over there.
This was part of a week-long thing called the Texas Rockfest that I had also booked some Trickykid bands to play as well the next day so I also wanted to check out the grounds.
We get there after they had already started and keep in mind I knew nothing about this band other than Doug was in the band. The songs weren’t bad if a bit amateurish as compared to the musicianship one normally equates with Pinnick, but even more striking was the how they looked. I didn’t get the greatest shot but one dude looks like he just got out of the penn after 30 years, covered in scary biker tattoos and one other dude looked like a rocker version of King Kong Bundy.
The sound was more of an updated neu-metal sound that wasn’t bad but seemed like a step back for Doug instead of step forward.

  It was around this time I was informed that I had just missed Motorhead again. They were playing about two miles away and normally I am on top of these things but how could I have let this slip by? I knew that they shows were in promotion on a documentary about their infamous singer, simply titled Lemmy. 
This was also one of those nights were, no matter what you do or who you are, their will be one night during SXSW where you just can’t get into anything.
Sadly this was the first night and it seemed like this was gonna be one of those nights. Their was a killer showcase at Stubb’s with Sharon Jones & The Dap Kings and Broken Bells – no dice – then we wandered over to Red 7 to see the comedian Brian Posehn and Voivod – same shit.
Its not like this a dead town or a dead festival, usually you have to choose between awesome stuff, and this was no exception as we headed to the IAMSound Records party for a great show with Salem and Sleigh Bells, as well as Little Boots was DJ’n. This is always one of the better parties and I try not to miss it each year. I have been wanting to see Salem for two years, after I stumbled upon their album in a record store in Canada, it was called Yes, I Smoke Crack – Clearly the band for me. And they did not disappoint, just so fucking weird and dark. It reminded me of this dude Odd Nosdam, that Mike Patton collaborated with recently.

For me, besides business, the real deal is to catch the newer, younger bands. Its cool, going to see your favorites but I would rather gamble on going to see some bands I haven’t seen yet, and this one paid off. Both bands were really great and I wanted to try to catch them again during the festival. Afterwards we swung by the Pure Volume House since we were close to find out who the “Special 3am Guest” was. It looked like a warzone by the door and someone said the guest was Jakob Dylan – all this for that dude? Didn’t something happen? Did he come out or something? Was he gonna do a duet with Lance Bass? I wasn’t sticking around to find out so if my predictions came true, please email me to tell me that I am truly a prophet.Thurs Mar 18th – Day 5

So after another full morning of meetings on no sleep, my usual prioritizing of food over music was taking hold once again. However I wasn’t gonna miss Sharon Jones & The Dap Kings again, so I opted to go to Kabobalicious or whatever its called and actually while standing in line to see them at the Mohawk. How’s that for multi-tasking? – Sharon and the gang were the shit as usual – who cares that it was 3pm and like 1000 degrees outside, she brings it everytime, just the real deal in every sense.

  I had taken refuge like I usually do at the Levi’s Fader Fort. Sucks that its been across the freeway the last few years, but its worth the walk as you can depend on it as a place where you can sit down, grab a free beer, use the bathroom in reasonable time, and they even have a free internet café and reading room with obviously free copies of the Fader. When you have all of this going on, this is a god-send that I take full advantage of every year.
After these two sets I grabbed a beer and sat down and checked email for a bit when holy shit, sitting right across from me was Doug Pinnick. As I previously mentioned I had seen Razr 13 just the night before and he and I spoke briefly (he and I have been friendly over the years, but I’m still a total King’s X fag). I never fan-out and still didn’t this time but it was so cool to be able to speak with someone you have admired so highly for so long and be very frank and candid with them. We even talked business and the possibility of King’s X doing some shows with one of our bands, I was literally shitting myself. He informed me that their was another Razr 13 show that night and personally invited me. For me that’s about as cool as it gets.
I leave the Fort and walk across the street to the Sweet Leaf Party as the GZA was scheduled to go on at 7pm. I knew this idiot was gonna be late and I don’t even know why I bother with this clown, and frankly since it was across the street was probably what got me there.
I get over there and 7pm becomes 8pm and then we start hearing that he had canceled another show at the Iheartcomix Party earlier that day. Is this loser even in Austin? That’s two cancellations so far, but the guy over the PA is assuring us that he is coming. While I’m waiting I also learn that the surprise guest at the IFC House is the Sword and I’m fucking missing them yet again! It would have taken too long to get over there and since I had already waited an hour for the GZA I was determined to see it through.
Finally after a 90 min. delay, the hypemen come out to start the show. However one of them is plugging some solo LP of his coming out and he was straight up whack, just awful. How dare the GZA after all he just put us through make us sit thru a 3-song set of this trash? I was gonna shit in my hand and sling it at this guy. Finally the GZA walks out and starts with Life of a Drug Dealer and the place goes off. However, again the energy peaked around this first song. I guess since this was a free show, (I’m sure HE was still getting paid) he just didn’t give a fuck. He would rhyme a couple of lines and then go hang by the DJ while the hypemen (who sucked) would lead the show, you could even see him back there checking his Blackberry, during the songs!
One cool thing happened was I was at least fortunate to be standing side-stage and I look over and out to the crowd and realize that Bill Murray has been standing next to me this whole time. I’m not one of those Wes Anderson fags, but Bill Murray is still rad and despite already knowing of their pairing in Coffee and Cigarettes how cool is this that he’s checking this out? Would you expect anything less from him? I wonder if he was thinking that this was the worst performance he’s ever seen as well?

So how do I follow that up? By going to see Man or Astroman again – That’s what’s so great about this festival, its just the best of everything, and I love having a few days where the only real decisions that I have that are pressing is BBQ or music? – Do I wanna dance or do I wanna rawk? – Onward.
I get over to Club Deville which is right next door to the Mohawk where it sounded like the GZA was taking his next bow of shame followed by the most hyped band of the conference; the XX. Everytime I turned around their they were – they were everywhere! So the line stretched into the line I was in for MOA.
I finally get inside and after several delays – the transmission begins –
This show had a completely different feel to it than Sunday’s. This one was dirty – I don’t know if it was the crowd or the venue or the late hour (almost 1am) but it was just rowdy- violent almost. Their were several stop-starts, and system malfunctions. They never lost the crowd but these people just seemed to be looking for a fight, that was only exacerbated by once again the drummer, frequently coming out behind the drums to talk shit (about whom was unclear) only to leave their singer to disclaim with apologies right after. Still a great performance and I loved every second of it, but after I felt like I had just seen the Ramones, instead of Man or Astroman.
So now with the late hour approaching everybody was looking for the party. You could feel it in the air, not so much the need to see a specific band as much as a need just to keep the party going (at all costs). Prime example would be that when I got to the Pure Volume House, you would have thought that the Smiths had reformed and the only thing was inside was freaking Andrew W.K. (who..let’s be fair throws quite the party as I was soon to find out…which is perfect for people…like I said..that were looking to party).
I’m not kidding, I had never seen such chaos, apparently their was some confusion with which passes were good for which night, that the door people didn’t even know so the bouncers were just letting the girls they liked in. Just total clusterfuck. I didn’t care enough so I walked down the alley looking for something else, when I see an old acquaintance who is actually working the show (lucky break) and he’s walking Walter Schrefels from Rival Schools (who are about to go on and my reason for going there) in through the back and waves me over to join. Nice one Hank- Much appreciated.
So I poke my head out from the little make-shift backstage thing and see there’s no one really at the party and that’s when I hear the story that explains why soooo many people were outside: Apparently dude from Gym Class Heroes was DJ’n on stage and invited a bunch of people to come dance and the stage collapsed and so they had to evacuate. I’m a lucky dude for missing all that shit, but like I said earlier, their was something hostile in the air all night everywhere.
So Rival School just said fuck it and played on the floor while the drummer and the amps were still on the broken parts:

  That hostile vibe was still rawking – maybe it was the free Taco Bell? – but I went out to the side patio to have a smoke and I run into my buddy Nate, and as we are talking, the table next to us is being overturned by some huge fight that just broke out – what the fuck is going on tonight??
We needed some positivity, we needed to get a party started, conveniently, Andrew W.K. came to our rescue.

Fri Mar 19th – Day 6

I had some time to kill and didn’t feel like walking back across and again my beloved Fader Fort was next door, so I went over there where I could get something to drink and better phone reception. I was undertaking the task of securing equipment for my Ween hermano Claude Coleman Jr, in time for his impending arrival with his solo outfit, Trickykid artists – Amandla, in a few days. While there I got to check out a bit of Marina & the Diamonds, who I actually really enjoyed. (and not just because she is like crazy, stupid, oh my gawd hot).

They were running waaay behind so I decided to go ahead and check out what was sure to be the cluster of all fucks of the conference, as every year (usually on the Friday) they always have a hugely popular band play at Stubb’s (last year they had Metallica for christsakes) and this year it was Muse.
And I see Mischa Barton.

 Headed back across the freeway for my third Man or Astroman show of the week. This was the best of the three. I guess they hit a stride from playing all week and/or wanted to go out with a bang as it were, but this was the most inspired of the three. It still didn’t exclude the pudgy drummer from trying to derail things with his silly, confrontational rants. If this tub of shit came at me I would just hurl powdered donuts at him:

But the other guys came to play and put on a great show, and when it ended I felt sad, now not having the comfort of knowing if and when I would see them again.
So this long day was believe it or not still had about eight more hours to go and it was after 10pm already. The endurance trial that is SXSW, but think of all I’ve already seen and now the countdown to Les Savy Fav later that night was just beginning. I still had some time and since I’ve been kinda staying at one place most of the week, this was my night to bounce around.
Then I shot over to where the old Fader Fort used to be to catch the end of particularly rowdy set from the Death Set. There shows are always nuts, just a great bunch of young guys that don’t give a fuck. They kinda hit my anti-hipster buttons at times, but they are so raw and have been consistently good everytime I’ve seen them.
And nowwww, it was time to get serious – seriously fucking crazy, it was time for the mighty Les Savy Fav and of course of all the venues in Austin, they were befittingly playing this seedy back patio joint that you had to enter through this gross alley to get to. For me, the anticipation was high, I should have felt burnt out by the events of the day, but I was totally energized and I wasn’t alone. You could feel the buildup as people started making their way to the front, and pretty soon, you couldn’t even move your feet and this was before they had even played a note. Now, you probably know the drill, or have seen the band, or if you read this blog heard me lament their legendary live show time and again, and its always this: How are they gonna top that shit I saw last time? – and the answer in its simplest form is that it always does and it usually reveals itself in the first ten minutes. The pressure is so large and looming you actually feel it yourself and are convinced that frontman Tim Harrington must be feeling it too, and if he is, he uses it as motivation because I’ve seen them alot of times and this was, even by their standards one of their most unique shows. I’m certain that Harrington hadn’t planned any of this it just fucking happens, and it happens everytime.
Harrington came out to check his microphone and wound up staying on stage to just chat with the audience. At first he told us how his dad suggested a joke to open the set with: “down here you guys have longhorns (makes UT hand sign), but up in NYC we have a unicorn (flips off audience).” Then he poked fun at the industry-nature of SXSW by rattling off a list of fake places they were going to play later in the week and imploring us to come see them again because they felt certain they were “really about to break.” After a few more minutes of poking fun at everything from himself to the long list of sponsors on the SXSW banner (“We’re really thrilled to have Chevy involved in this…”) he launches into the opening parts of In these Woods and then the band kicks in and the place fucking EXPLODES!!
Harrington was all over the place as usual, and fucking with anything that came in his path, and really the only thing there was to fuck with was the lights that flanked each side of the stage. It didn’t take long for him to realize that they could be easily unplugged and that’s when inspiration truly struck. He was fending off his bandmates who were looking on in horror telling them to “relax..let’s take our time, I have a mood to create” haha
Things were about to get really crazy – Once the lights were out, a few fans threw glow sticks on stage, which Tim promptly picked them up, tore them open with his mouth and naturally dumped its contents all over himself – he could NOT have planned this!

They made it through a few more songs, including new material from the their forthcoming new LP Root for Ruin, as well as a Silver Jews cover. From memory I remember:

In these Woods
Pills
The Equestrian
Patty Lee
Raging in the Plague Age
Yawn Yawn Yawn

And as if shit couldn’t get any crazier (or weirder) it takes the lights off again, this time leaving the place in total darkness to finish with the most fuck-shit-up version of The Sweat Descends. You couldn’t see your hand in front of your face and just had to rely on the energy of the movement and the insanity that was happening on stage. One of the wildest and weirdest nights from one of the wildest and weirdest bands.

You would think that would be the end, but Harrington comes back out (its now like five minutes to 2am) and tries to get something going but the venue cuts his mic, so he improvises by leading the crowd in an accapella version of One Way Window before it seemed like everyone (including the band) was asked to leave. Just fucking epic.
Ok, so now if you are reading this, are you like “Roy, go the fuck home already” ? I would be too, but alas I was in the mood to take it as far as I could.
As I had mentioned earlier, as this time of the night people are dying to get there hands on anything to keep the party going and they also seek exclusivity. It seems to make them feel special somehow, like everyone else has to follow the 2am curfew but we however are cool enough to be above that. So if you throw something exclusive, after-hours and reputable at them? Holy shit, you will have a riot on your hands, and that’s just what I was walking into.
First of all, I was so hyped from the Les Savy Fav show, I had the bright idea to walk the 15 or so blocks over to the campus where this party was happening at some hippie co-op joint that could only exist in Austin, that was promising an unthinkable 3am set from Andrew W.K.
Fuck it, let’s do it – I wish I had better photos of this because I can’t even begin to illustrate the carnage that besieged this apartment complex. Apparently there was this recreational style room upstairs that could hold about 400 people and that’s where the show was gonna go down. All it did was just illuminate the inner narcissist of everyone there. People were fighting, scraping, even taking huge safety risks in scaling this building to get up there…all not to see the show, but to be able to say they saw the show. It was ridiculous and they only thing I can think of as to why I stuck around was because I had walked so far and was mesmerized by the shallowness. There is alot more to say as people were at serious risk, as there were fights everywhere, and people throwing beer bottles down on to the people below. Those few that lived there that deemed themselves in charge were just as laughable. Just like the cop that’s never had any authority was now gonna abuse it. This coming from these silly hippies that would be the first to tell you how much they hate cops were acting just like one by getting off on telling people who could come up and who couldn’t like some velvet rope for Hare Krishnas.

I’m embarrassed to tell you that one of these fucks actually recognized me from being part of the Ween crew and welcomed me with open arms and started singing Ocean Man loudly in my ear. How fucking embarrassing –  I just smiled and said thanks as I breezed past these people that were literally begging me to take me with them upstairs.
3am became 4am and finally as I was gonna leave around 430am here comes Andrew W.K. – I can’t even tell you how weird, but yet awesome this was. This was the real deal, off the beaten path and legit as fuck. The sound was about as shitty as if they were playing the toy aisle with equipment they sold there at Toys R Us, and also maybe because I think that this was like Andrew’s freaking fifth show that day – but he didn’t show any signs of fatigue, nor did the crowd as they lost their shit, and their was a vibe of “I’m at the party everyone will be talking about tomorrow feel”. I could give a shit about stuff like that but I was feeding of the crowd and how liberating the whole thing felt. But I was still smart to hang in the back 🙂

 The set was only 30 mins but that was more than enough, it was like a firecracker that keep exploding for thirty straight minutes. This time I wised up, grabbed a cab and headed to my hotel.

Sat Mar 20th –

So after the unmatched insanity of last night, I slept as long as I could. I had some more things to do to get ready for Trickykid Day at Cheapodiscs the next day so I kinda ran out of the shower and off I went. Now, when I left I noticed that it felt significantly colder than it did just yesterday or what it would normally be. Usually its already sweltering, and so naturally I didn’t pack anything that would really combat this issue. By the time I got downtown, I was freezing, and I noticed something that I have never seen in Austin, TX before: snow and ice – can you believe it? In Austin, in March? Apparently it had snowed that morning and it was around 4pm and the temperature had dropped to 19 degrees. Now I know I live in NYC, but I HATE cold, despise it with every fiber in my being. And if my hotel wasn’t so far away, I would have just gone back to bed and said fuck it. Sucks that this was happening on the last day of the festival. Even more depressing was that everything I had planned for the day was outside – there was no escape from it.
After my meetings the first thing I did was go over to Rachael Ray‘s party – to accomplish two things: a) to eat that good food – b) to be just another dork there to gawk at Zooey Deschanel and her band She & Him. I DJ’d Rachael’s party a few years back and I know that if you want to eat you gotta get there early, but the cold had a hand in the attendance so there was plenty of food for me when I got there.
Poor Zooey, you could tell that she wasn’t (like me) prepared for this unbearable cold and she would candidly between songs say “My god, its freezing”
Hey at least she looked good:)

…and sadly that’s all she could do, and thank goodness she has her acting and modeling career, and good for her for trying, but music just isn’t gonna be her thing. It was probably exactly what you were expecting – high profile actress using her connections to play a huge venue to sensitive indie-rock guys and girls that quote Rushmore that will claim the music was brilliant. It was not brilliant – it was as about as flaccid and uninteresting as it could be. She sings nice, and it’s a pleasant affair, but its nothing anyone should take seriously. It will get way more attention that it deserves and for all the wrong reasons.
So I leave there and it looks like I’m basically following Andrew W.K. around or vice versa (and not with much luck so its good that I wasn’t) cause I just missed him before She & Him and as I walk back across the freeway I just missed him again. This guy was everywhere.
The main thing I was missing was my jacket and pretty soon my will to live, it was so cold! – I’m not ashamed to admit this but there was nowhere to hide so I went into survival mode and actually took a couple of long spells hiding in the Port-a-Shitters just to stay warm and to block the wind. Yes, I would rather smell copious amounts of other people’s shit than be this cold.
I should have just gone back to the hotel…and what? miss GWAR? Not a chance – Like this week couldn’t have gotten any crazier 🙂 I haven’t seen GWAR since I was a teenager, and its a great show, but for me, it gets old quick. Like the fourth time I’m hit with fake blood, I’ve had my fill, but who can’t get it up for GWAR? I know I can.
I just wish they were passing out blankets and cocoa, instead of fake dismemberments. It really is a site that even if you have seen it before is still pretty staggering to see, not to mention freaking awesome.
It was funny because as they were pummeling the crowd with the music and the blood the wind would sweep through and blow the blood back on to them.
They did the bit about making fun of the music industry (naturally) that ended with the sacrifice of Lady Gaga. It really had to be seen to be believed.

 

So I think by choosing this over the Perez Hilton party (like there was any doubt) I believe I made the right choice haha. This was confirmed as after this I walked by that party and the line seemed to stretch to Louisiana. I was on my way to something that I had been anticipating all week (and sadly it was outside too, and it was actually getting COLDER). The Red Bull Hip-Hop party with some of my all-time favorite DJ’s and MCs. I get there in time to see the end of the Juan Maclean
and up next is Cut Chemist from the J5 crew. Straight up, I’m a total hip-hop guy, surely not of the baggy pants, sports jersey, pimp swagger foolishness, but I love this shit and primarily the old school guys and the real deal DJs. CC is an amazing performer and his set was mind-boggling. I was so cold, I wanted to dance to warm up, but I could barely move. They had this great projection screen setup with super close camera angles so you could really see what he was doing, and with these kinda DJs that’s what you want really.

 

Up next was one of the baddest DJs to ever to do it and one of the main reasons why I started, DJ Jazzy Jeff. Cmon..you know this dude, you could sing the theme to Fresh Prince of Bel Air right now, no problem. Jeff is the man, in my mind he, Kool Herc and Jam-Master-Jay started turntablism. So I was super pumped about getting to see him in action. My man was so cold, he kept rubbing his hands together between scratches to stay warm. This was a full-on party. He played all the old school joints you wanted to hear and presented them in an entirely new way. Exactly what a DJ is supposed to do.

 

I went to the back in hopes that the bodies in front of me would block the deadly wind. It was fucking freezing, but it really was a beautiful night, and Jazzy was so great I actually forgot I was cold for a sec and took in the scene.

 

   Now another amazing DJ, Z-Trip was supposed to close and I know that he had to cancel so I thought that Jazzy was the last to go on, but then we realize that Z-Trip’s replacement is freaking Mos Def. This guy has a swagger that is his, and his alone. I’ve had many candid experiences with Mos Def in recent years and he’s always on, always funny, and has an air of confidence that is piercing. Not douchy like Kanye, more like Ali, with not as much bragging.
From the opening line of the way he spoke-not shouted “How yall feeling this evening?” it was suddenly his show. In recent years he’s becoming as known for his humor as much as his music, and you could tell this was very last minute, off-the-cuff style as it just seemed like he found an hour ago that he was gonna be performing, but instead of looking or seeming unprofessional or unprepared, the spontaneity was the charm of the show. He talked alot, and fucked with the crowd a bunch, and mainly stuck to recent songs, but it felt intimate and was really fun.

 

It was now after 1am and what you ask, what could you possibly have let to do sir? Well it was technically the last night so would there be a better way to go out with a bang than to head to Vice‘s annual conference closing party, headlined by Les Savy Fav (and did I mention it was indoors, and only two blocks away?).
I get there and the line is already formed and its not moving. You never know at this party who is going on when, so I just wanted to get in and get settled. The cold made me impatient, so I became one of those leeches that just kinda hangs by the front door, thinking this is gonna get you in faster, and I would never endorse this, but my friend from Vice spots me (and she wouldn’t have in my previous location) whispers in my ear that they are at capacity and not letting anyone else in, probably for the rest of the night, and to follow her. Perfect timing cause as soon as I grabbed a drink and went to the bathroom the Fav were setting up.
Now I knew that this was not their show, so it would be an abbreviated version, but we are taking about Les Savy Fav, hell the Dwarves can accomplish in 15 mins what most bands can’t in two hours.
Tim Harrington comes out wearing an evil-grinning rabbit mask, which, he explained, belonged to the US government and had been given to him by a guy from NASA who was interviewing rock bands about the moon, as the band launches into Pills. This show got rowdy in a hurry – the set was almost identical as last night’s except a new song Let’s Get Out of Here – and this time they played their legendary show-closing anthem Who Rocks the Party? and as you can imagine, the place totally lost their shit, as I did right along with them. Harrington losing the mic after the first verse, then dragging a table into the crowd and singing from atop it with the crowd a total dancing shouting mess at this point. And like last night, he led the crowd to the opening rap of One Way Window before they cut his mic. Just freaking incredible.

 

Between sets this great DJ, Jason Toubin, was spinning all these great obscure soul jams from an impressive collection of 45s he had, that turned the place into a dancing speakeasy right out of Dirty Dancing. I stayed and danced for a bit, but it was now close to 4am so I head for the door. Something funny happened as I was waiting for a cab (they are not easy to catch at 4am like they are in NYC…I was about to co-miserate this fact with some familiar faces) as I’m standing there I can hear voices behind me and realize that Tim and the gang are now competing with me for a cab. I thought I was having trouble, Tim is not only a portly, balding weirdo, but he’s wearing this hideous (on purpose) all-over shaw that even he can barely keep a straight face while wearing. I concede as the next cab pulls up as their are five of them and one of I, but not before we all had some fun, lamenting the lack of public transportation in this town.

Austin City Limits Fest 2009

Wed Sept 30th

Made my way to Dallas and out to Fort Worth to catch the Amtrak train to Austin, TX for this year’s big 3 day Austin City Limits Festival. It didn’t start till Friday but I got there a few days early because Them Crooked Vultures were doing a couple of special shows prior to the festival. If you don’t already know (see the August/Lollapalooza entry below for more) that they are a three-piece comprised of Josh Homme (Kyuss/QOTSA), Dave Grohl and freaking John Paul Jones.
The first show was a taping for the legendary TV show (and the festival’s namesake) Austin City Limits. I’ve always wanted to attend one of these unforgettable performances that I’ve always admired no matter who was playing, but this was not to be believed. (thank you Leslie for the hookup).

  I was surprised that alot of people expected them to actually do songs from their other respective bands, and were disappointed when they didn’t. This was a new band making a new statement (their record wasn’t even out yet) and some people still just wanted to hear the same ol, same ol.

Thurs Oct 1st

Back for round two (three if you count Chicago) as now Them Crooked Vultures were doing a public show at Stubb’s as a warmup to their big coming out at the festival on Friday. This was a fun show and a testament to the legendary careers that all three have had, cause no one had even heard a note of this new music and the show sold out in minutes based upon the member’s collective reputations. That was a neat thing to witness and be a part of. Unbearably packed (but thankfully well mannered) and hot in there, the anticipation was huge and when they took the stage the noise was deafening.
This show was identical to the first show in Chicago.

 A big difference and nothing against Chicago but this crowd was so appreciative that it made you proud to be there. Homme who is known for his quips had a great line when JPJ changed from bass to keytar ” Only John Paul Jones could make the keytar look badass”. Here is the set-list from the show:

Fri Oct 2nd

The first day of the festival was here and I tried to prepare myself for the heat and the crowds. I had a late night the night before as after the TCV show at Stubb’s I went to a party at the Beauty Bar which is basically across the street. Made it downtown to Artist Pickup and got my wristbands and finally got to the festival a little after 5pm.

  This was my third year to attend the festival but strangely the first time in five years. Since then I had been to all of the Coachellas and a few of the Lollapalooza‘s and Bonnaroos, but this is a really nice one to attend. Its put on by C3presents (the same company that does Lollapalooza) and its in Austin and who doesn’t love Austin, Texas?
The Artist van drops me off in front of the artists lounge and the great people that do the nationwide free ice cream campaign are the first people I see with their truck parked right at the front of the lounge. Some of the best people you will ever meet, check out his site, its so awesome – icecreamman.com

  So after getting settled and embarrassing myself with a few rounds of the new Beatles Rock Band, I meet a rad local girl (who ironically was the singer in my newly formed fab four) and we head out to see our first band of the day, Thievery Corporation.

They were really good and I had always wanted to see them. Now some will fault me as the festival started at 11am and I didn’t see a band till 630pm but it was hot and admittedly more comfortable in the back with the free food so sue me 🙂
As soon as they ended we had our shuttle driver haul ass to the other side of the festival to see (you guessed it) Them Crooked Vultures. How’s this for obsessive? – This was only their fourth show in the US ever at this point and at that time I had seen ALL of them and three times in as many days. All of those shows had been club shows or other special events but this really the FIRST show in front of a huge crowd and it had that feel to it. If I had had thought the crowd was loud the night before, it paled in comparison to this ovation. It was interesting to see the appeal that John Paul Jones had on the crowd. Though the majority of the this crowd was the young and hip culture that Austin is known for, it was neat to see that some people had come to see JPJ solely and actually didn’t know who the other two people in the band were. That’s dedication.

    This show was identical to the television taping just a few days prior. Though I had it pretty much down at this point, this is a great new exciting thing that must be witnessed.
My new Austin friend was chomping at the bit to see the Yeah Yeah Yeahs who were thankfully playing on the adjacent stage right after. We scrambled around to watch from backstage but couldn’t really see anything so we got as close as we could up front. Now I don’t really have anything to add to my previous and recent description of their performance at Lollapalooza (see previous entry) and I’m of course biased.
But they were replacing the Beastie Boys again just like this past August but this time they didn’t make the nod to them like that show. They did however put on a very powerful and visually entertaining show as always.
 So after they played my new friend and I walk out of Zilker Park and you can see that this festival has just taken over the whole town. This city is always alive with young, progressive people, but this was total meltdown and all the vendors had lined the streets with tents selling their wares, apparently the demographic is alot of tie-dye and bong hits. Good times though as we danced in the streets with everyone else and made our way to get something to eat.
Her and I had different agendas however as she had a birthday to attend so I had her drop me off at Emo’s where some friends of mine from Brooklyn,  !!! (pronounced chk chk chk) where doing a warm up gig of their own before playing the festival tomorrow. For those not familiar, they are one of the most fun and energetic live shows you will ever witness. They have reached beloved status because of their legendary live show and when they hit stage around midnight people were ready to get down!
I have seen a half a dozen of theirs shows or so and I say this every time I see them but this was one of the best ever. The energy and momentum is incomparable. (Editor’s Note: Since this time and now drummer Jerry Fuchs died in a freak accident in Brooklyn- We miss you Jerry R.I.P.)

 I danced my ass off and had a great time as the ended with the one-two punch of Intensify and Heart of Hearts. Got out of the show around 2am and waited to meet a friend who was coming from Round Rock to have a late night meal with me. She finally shows up around 3am and we go to Austin staple Kerbey Lane by the University. A bit of a wait even at this late hour because of the festival so after we eat and talk and she drops me off its after 6am.

Sat Oct 3rd

The night before Nic (chk chk chk) said that since they are going on at 2pm that if I came to the Emo’s gig I didn’t have to show up early. I wanted to prove him wrong but alas I didn’t get into bed until 7am. I didn’t even wake up till after 2pm and when I did it was really gross and rainy outside. Not the ideal setting for a mass outdoor event (more on this later).
I met up and had lunch with Nic and Paul from (chk chk chk) and I asked them how their set was despite the gross conditions and early start time. Those guys could throw a party anywhere.
Then I ventured out to catch the last half of Trail of Dead, another Austin mainstay that are always great live. It wasn’t just raining, it was a freaking buzzkill. Lightening and misery just made everyone and everything seem gross. I did stick it out to see the first couple of songs from Mos Def, who seemed totally unaffected by the rain and brought a huge posse of dancers and a live band. This would have killed in a club and I was disappointed that the conditions made me just want to be a big wuss and retreat to the comfort in the Artists Lounge.

  One of the things I was most looking forward to today was the arrival of my oldest friend Chris Todd and his wife Tammy. They weren’t getting in till after Day 2 of music was over so I promised him I would check out Devotchka. I know I sound so spoiled but wait till you see the pics of the fucking mudpeople, I hold no since of nostalgia for Woodstock nor a need to recreate it, but I kept my word and checked out a bit of their set, and I’m glad I did, they were fantastic.

Now that the rain had cleared and it was night-time (always a bit of an incentive as far as mood goes) I was ready to experience another Austin export that I’ve hearing about from everywhere, Ghostland Observatory. The cool thing about this was that I literally had NO idea what they were about period. Even based on what I heard they were totally (and refreshingly) different. I thought I was gonna be in for like a Radiohead clone (to illustrate just how removed I was from them) but just as I got up to the scaffolding side stage, these two freaks (that being a Texas native, these two could ONLY have come from the Lone Star State) come walking out, one wearing a Tron/Dr. Who looking electric cape and the other was a cross between Richard Petty and any cast member of Easy Rider. So what is THIS gonna sound like? The crowd is already going crazy and then here it comes: This dancy wailing banshee freak show complete with laser light show, just fucking awesome. It occurred to me however what a feat that they had brought this to such a high-profile level, cause being in this business as long as I have and being from Texas I could easily see this just being something that 50 people in Austin care about (but those 50 would REALLY freaking care).  From my perspective I was able to get a small shot of Mos Def who was dancing a jig behind the drum riser that was completely obscured to the audience.

Then has the show had reached such a high momentum, they did a fun smart thing, that dials right into that Texas local pride by bringing out the UT Austin Longhorns Marching Band to join them for a few songs.

Sun Oct 4th

No sleeping in today, as it was the last day of the festival, and I had to meet with my com padres Clutch who got a shitty time slot of 2pm. However the weather did take a nice sunny turn, but when I got to the site, holy shit, yesterday’s monsoon had just the sheer power of the foot traffic had turned the general population area into mushy peat bog about a foot deep. You could literally smell the ooze in the air, probably because as always there are some good-natured folks who embrace this sort of thing and can’t resist saying “fuck it, let’s become Swamp Thing“.

   So after hitting the Lounge for an early lunch I went to meet up with Clutch, whom I’ve had a long history with throughout the years. It was cool watching them rehearse out in the open and so early in the day down beneath the stage. Now it was showtime and they were all business, so I bid them a good show and took my place sidestage. Obviously given the short set-time they wanted to showcase their newest record Strange Cousins from the West as seven of their nine songs were from that record. For a band I’ve come to know so well, it was great to see them so out of their element which is completely what they strive for and deliver every time.

    

   Next up was time for some other old friends of mine from Fort Worth, the Toadies.  Hadn’t seen them since London over the Summer. They are like the equivalent of Classic Rock in Texas, just perfect for a sunny day in Austin who gave them a hero’s welcome. They played exactly what you would expect in a festival set, right to the hits, no bullshit, and then whipped out Got a Heart, which was a nice surprise.

        After their set I hung out with Mark (drummer) and his wife for a bit catching up and debating if we all wanted to eat or go see the Dirty Projectors. The heat was taking its toll, so food it is (Nourishment 1 – Indie – Trust Fund Rock 0) but the shuttles were so congested we had to wait forever for one (which became the theme of the day,so it made the decision of how bad you wanted something interesting), so we just split up and met back up in the catering tent.
Their merch guy Tony used to be in a Dallas band Hagfish, along with their new bass player Donni Blair and his brother Zach who is now in Rise Against, who joined us for lunch but I don’t know if he was playing that day or not. After eating I took as much juice/soda/water I can carry out to the general population to find Chris and his wife and some other friends of mine to offer them something that no doubt being overcharged for, when I made it about 5 yards in and I literally started to sink. I felt guilty about it but I was getting the fuck out of that mess!
   Now it was time for something I was greatly anticipating, The Dead Weather. To know me is to know my complete and utter devotion to the music of Jack White, and now that would take on yet a different form as he has yet another new band where this time he is playing drums. Another cool thing (and a testament to our friendship) is that although Chris and I haven’t any contact whatsoever is over five years, during that time he had developed a similar obsession, so it was great to share this excitement with him.
Besides Jack White the band is rounded out by Alison Mosshart ( The Kills) , Dean Fertita (Queens of the Stone Age) Jack Lawrence who is White’s partner in crime in his other band The Raconteurs.
This is designed to go down in a small, dark, smokey club around 1am but they killed! My fave set all weekend and perhaps one of the best of the year.

    Now this next part requires a little bit of explaining and a backstory if you like. I was prepared to make an effort right after the Dead Weather finished to go to the other side of the festival to see Girl Talk. As a DJ and a fan of music and a marveler of mashups and as someone who is pretty dialed in to popular culture this was something intriguing to me. I’ve heard everyone back in Brooklyn talking about him, I’ve heard and downloaded his stuff and was very impressed, enjoyed the backstory of this guy being some mad scientist who quit his career as a bio-mechanics engineer to rock the house etc.. I bought it, I was in, let’s go.
Now for this space I’m not gonna lead a pretentious type of discussion about what is truly a DJ, should they be looked at as musicians etc…all that crap you have heard before. I have my own ideas about all of that, none probably original so I’ll spare you and just talk about the experience.
The shuttle driver drops me off behind the stage where there is already a mob of people trying to get a glimpse. I had seen pictures of his performances and it looks like New Year’s Eve everytime so I get the hype. He’s got his finger on the pulse of that FIT, NYLON Magazine reading, 18-20 female crowd, that brings dudes of all ages around as well, so he really can’t do no wrong here.
However, what I witnessed was absolute shit. Call me an old curmudgeon who’s lost the plot but this whole thing had no place for me and I can’t help but feel all the better for it.  As so super lame as it sounds and I hate it myself when I hear people say this, but the entire time I was witnessing it I could hear a little voice of reason saying “This is exactly what’s wrong with everything, this is the defining example of where everything went to shit”.
Now having said that, he played, people danced and smiled (a few even got naked) and I’m sure a majority of people left that with a feeling of a good time and that’s great they should. My problem lies not in the absurdity of its popularity but its power. From behind the stage I could hear people chanting stuff in unison but didn’t know what was leading the charge. I learned later it was the screen they were facing (that I was behind) and all of the requests no matter how preposterous (like…”throw money in mud” ..and a few questionable ones)  were fulfilled.
As I watched this from sidestage, all these people were onstage dancing with him to make it a party, and everyone else was trying to get onstage to join them.  And the admittance regardless of credentials was some super lame velvet rope thing a la Studio 54, with some intern in shades (it was 8pm at night) making the selection. “what the fuck am I doing here?” I exclaimed and the problems only begin with the social aspects of this travesty.
Now again, if you go to FIT, read NYLON and you are reading this you will probably say “Dude, relax and dance” and you will probably be right and if you are everyone else you should criticize me for having waaay too much to say on something so insignificant.

      Now another surprise came but this time from some familiar faces. In the early 90’s I got to experience as a very young person, the great boom of new music that came out of Seattle, that everyone still talks about and makes silly claims about its importance or non-importance. Great time to be a young person and I was right in the middle of it, but because of my punk/metal/thrash tastes at the time I had to be a convert. I liked the heaviness of Nirvana and Soundgarden and my age would dictate that I enjoyed belonging to the something from its beginning. You really couldn’t be into just one of these bands, even though they were sold separately, they may as well just bundled them because once you had Nevermind or Badmotorfinger surely you had to buy Ten to complete the set.  Much like growing up in the 80’s you were surely into G.I. Joe , Transformers, and He-Man, but someone had to be number three.
For me, this is where Pearl Jam has always stood. I really enjoyed them, think they are an incredible band, one of the best live bands I still have ever seen to this day (hell I even worked at Stone Gossard‘s label Loosegroove for a period) but the interest somehow didn’t come as natural after somewhere around that third record.  Working in music I was aware of their subsequent releases, and even if you didn’t who could forget their headline-grabbing (and at times…temple-scratching) decisions like battling Ticketmaster and releasing their entire tours live to diffuse the bootleggers of their profit.
Since I was caring less about the music I was caring less about the cause so eventually I tuned out completely. So that’s why although their popularity hasn’t waned, I really had no idea that since 1996 when I last gave a fuck that this band had become this generation’s Grateful Dead.  Seems that everyone I spoke to only came on Sunday and only to see them. Everywhere you looked on Sunday it was the Pearl Jam nation.
So I thought I should check some of this out, and what followed was a two hour + marathon that would make anyone a believer. I knew that this was a high-profile gig and it has that potential of something special happening, but it was so effortless that it gave me the impression that this is what happens at all of their gigs, hence the cult like following.
I saw Perry Farrell backstage shortly before they hit stage, struck by inspiration going on about how he wanted to get up and do his own band’s Mountain Song and how unforgettable it would be.
Here is the setlist and pics from the show: (including a great pic of when Eddie Vedder joined the mud-people)

 

Setlist –
   1.Why Go
2.Corduroy
3.Got Some
4.Not For You
5.Elderly Woman Behind The Counter In A Small Town
6.Given To Fly
7.World Wide Suicide
8.Even Flow
9.Unthought Known
10.Daughter
11.Hail Hail
12.Insignificance
13.Present Tense
14.State Of Love And Trust
15.The Fixer
16.GoEncore:17.Jazz Odyssey
18.Red Mosquito (with Ben Harper)
19.Do The Evolution
20.The Real Me (The Who cover)
21.AliveEncore 2:22.Mountain Song (Jane’s Addiction cover w/ Perry Farrell)
23.Rockin’ in the Free World (Neil Young cover)
   I mean fan or not who could fuck with this?, my goodness. What other band could put an exclamation point on the weekend as being the last band on the last day in this fashion? Now I get it, fucking legendary.
I made my way back to the Lounge to catch the shuttle back to downtown. Chris and his wife had made an early exit to get cleaned up from all of the mud and we had planned to meet up a bit later to go to another party. The next two hours became very social, I don’t because if it was the end but everyone was talking to everybody. I first ran into my good friend Sam from LA (who was working the event and ironically was my assigned shuttle driver) as I was taking the golf cart back to pickup I rode with this couple who were on something of a third date and I turned on the cut-through-the-bullshit mode that I’m known for and started asking questions that clearly they were both afraid to ask each other. An hour later they came to find me to tell me that they had decided to make their relationship official and it was because of what I said and they were thanking me profusely. Good times.
As I was walking out some of the guys in Pearl Jam were coming in namely Jeff Ament, and behind him I see Doug Pinnick (King’s X)  & he came up and we had a nice chat.  I knew that he had some correlation to Jeff Ament as its seems every interview I’ve read over the years Jeff has found someone way to talk about King’s X and I think they are working on a project together, so it wasn’t a surprise to see him hanging with PJ, but as any performer who is not scheduled to play its surprising and exciting to see them.
So after I talked to Doug for awhile, Sam told me the van was ready and it was time to go. So I and a few of the performers climbed into the van, and here is where things come full circle. I was to be the last stop as I was going to the farthest and so I could hang with Sam for a bit, and the last two people were me and this other dude who were both going to the same place (Beauty Bar) and as we are talking its starting to occur to me that this is the Girl Talk dude. Greg I believe his name was, was totally cool and really funny and I kinda felt bad for talking shit earlier (but not really haha). He’s telling me that he wants to do a gig right now at the Beauty Bar since no one knows anything about it. All I can think of is the walls caving in with throngs of girls from American Apparel ads (not such a bad thought) besieging the place as their cool status couldn’t sustain the notion of missing something so hush hush once word got around.
I thought now to have Sam take me somewhere else but this is where I was to meet Chris and his wife and my oldest friends works here too who I hadn’t had the chance to say hello to yet. Girl Talk dude and I go into the Beauty Bar and within minutes I’m hearing that the place is not prepared for the headache of what would happen once word got out, so they put the kibosh on it and I saw him leave shortly after.
Two girls from San Francisco were chatting me up and dancing and as the place was closing they asked if I knew of any other after-parties.
I had heard that something was going on at the Congress Bridge, but those things usually get busted and in a hurry, but these girls were anxious to make their last night continue, so into a cab and off to the bridge we go. As we walk up their is Greg Girl Talk dude…again (someone is following somebody).  I had to admire him for wanting to rawk it here as this was about as real deal as it gets, open and to the public.
As expected, he hadn’t got two bars into the first track and here come the police: